Twenty artists you have never heard, and would love
None of these twenty appears anywhere in thirteen years of your history. Each one is reached by a path through artists you already play, and each comes with the one song to start on.
Sigur Rós
You already own the Icelandic hush: Ólafur Arnalds (32 plays), Ásgeir, Of Monsters and Men, Kaleo. Sigur Rós is where that landscape gets its weather. Bowed guitar, a falsetto in an invented language, and crescendos that land like a Howard Shore cue.
Start with Hoppípolla.
Pomme
Reached through Cœur de Pirate, Juliette Armanet and the Angèle you sampled in December 2018. Pomme writes in the same intimate French register as your morning listens, with a voice that sits between Françoise Hardy's cool and Christine's ache.
Start with On brûlera.
Lane 8
The summer of 2026 you found TWO LANES, Ben Böhmer and Pascal Letoublon. Lane 8 is the label boss of that whole sound (This Never Happened), and the man who turned Kygo-era warmth into something you can play at 2am without a drop in sight.
Start with Brightest Lights.
Ichiko Aoba
You have 466 Ghibli plays and a deep affection for tricolor and ko-ko-ya, the Japanese acoustic instrumentalists from May 2018. Ichiko Aoba is a classical guitarist and whisper-singer whose records sound like a Ghibli forest at dawn.
Start with Asleep Among Endives.
Nina Simone
Norah Jones, Ella Fitzgerald, Stacey Kent, Madeleine Peyroux and Blossom Dearie are all in your history. The great absence is Nina, and the bridge is a French one: she recorded Jacques Brel's most famous song and made it hers.
Start with Ne me quitte pas, then Feeling Good.
Hildur Guðnadóttir
She was Jóhann Jóhannsson's cellist (you have 9 Jóhann plays), she writes in the Ólafur and Max Richter register you keep returning to, and she scored the prestige TV you like: Chernobyl and Joker. Slow, physical, unforgettable.
Start with Bathroom Dance.
Tom Misch
Reached via Chet Faker, Rhye and the jazz-cafe Ghibli covers you play from Cafe Music BGM channel. Misch is a guitarist who makes Sunday-afternoon soul with a jazz-school harmonic sense. It is the warmest record in this list.
Start with South of the River.
Caravan Palace
In 2016 you spent a season with Swing Republic, and Paris Combo and Pink Martini are recurring. Caravan Palace are the Paris band that made electro-swing a stadium thing: gypsy-jazz guitar, Django-style violin and a house beat.
Start with Lone Digger.
Yumi Matsutoya
You have played Kanako Ohba's piano versions of the two Kiki's Delivery Service songs twelve times each. Both were written and originally sung by Yumi Matsutoya (as Yumi Arai) in the 1970s. You have been listening to her for years without knowing it.
Start with Yasashisa ni Tsutsumaretanara, then Rouge no Dengon.
Emilíana Torrini
She sits neatly between José González (44 plays), Jack Johnson and Norah Jones: fingerpicked, warm, slightly odd. She also sang the closing song of The Return of the King, which puts her one door away from your Howard Shore listens.
Start with Sunny Road.
Phoenix
You have Daft Punk, Christine and the Queens and six plays of Air. Phoenix are the fourth pillar of French pop's export era: sunlit guitars, a singer who sounds permanently delighted, and choruses you will know by the second listen.
Start with 1901.
Yo-Yo Ma
You played Bach's first cello suite prelude eight times, and 319 plays of 2CELLOS make you the most cello-devoted pop listener I have seen. Yet the most famous living cellist is absent. He also recorded Morricone's Gabriel's Oboe, which you know from The Mission.
Start with Gabriel's Oboe, then the Bach Cello Suite No. 1 Prélude.
Vianney
The natural next stop after Kendji Girac, Louane, Amir and Slimane, all of whom are in your December 2019 French pop run. Guitar, a wry lyric, choruses built for a car journey through the Alps.
Start with Je m'en vais.
Fleet Foxes
Iron & Wine (10 plays), José González, Mumford & Sons, Of Monsters and Men. Fleet Foxes take that folk and add cathedral-sized vocal harmony. It is the record every one of those artists was listening to in 2008.
Start with White Winter Hymnal.
Bebel Gilberto
You have played Stacey Kent's Samba saravah eleven times. That song is a French adaptation of Samba da Bênção, and Bebel Gilberto (João Gilberto's daughter) sings the Portuguese original over a soft electronic pulse. Bossa nova for a person who also loves Kygo.
Start with Samba da Bênção.
Polo & Pan
Bon Entendeur's Le temps est bon is your gateway (24 plays, never skipped). Polo & Pan are the other Paris duo turning old French records into sunlit dance music, only they write their own. L'Impératrice fans, which you nearly are, love them.
Start with Canopée.
Dido
Everything about your 2014 core (Ed Sheeran, Adele, Sam Smith, Birdy, Ella Henderson) descends from Dido's turn-of-the-century radio pop: quiet voice, huge chorus, not a wasted word. She is not in your history at all, which is the strangest gap on this page.
Start with White Flag.
Barbara Pravi
You played Madame Monsieur's Mercy 113 times. France's next great Eurovision entry (2021, second place) was Barbara Pravi's Voilà, a chanson in the Piaf tradition delivered in a single take. It belongs in your May binges.
Start with Voilà.
Víkingur Ólafsson
You play Bach, Debussy and Philip Glass; Víkingur is the Icelandic pianist who records exactly those three composers and makes them sound like Nils Frahm. His arrangement of a Rameau harpsichord piece is the most streamed classical track of its decade for a reason.
Start with The Arts and the Hours.
The thirty-song discovery playlist
Thirty tracks, thirty artists, none of whom appear in your history. Sequenced to be played in order: it opens after midnight, walks through France and Brazil, and ends on a dancefloor.
- Apocalypse Cigarettes After Sex · The xx's Intro slowed to a crawl and given a voice. For the 94% of your Oh Wonder plays that happen after midnight.
- Space Song Beach House · Dream pop with the organ tone of a Ghibli overture. If Intro is a mood, this is the room it lives in.
- Show Me How Men I Trust · Montreal, like Cœur de Pirate. Soft bass, softer voice, the kind of track that gets 22 plays in one evening.
- Maria También Khruangbin · Instrumental, Thai-funk-surf guitar. For the part of you that binges Cafe Music BGM Ghibli jazz.
- Ylang Ylang FKJ · French Kiwi Juice: a Paris multi-instrumentalist making warm piano-house at cafe volume. Chet Faker's cousin.
- Sorceress Jordan Rakei · Neo-soul that sounds like John Legend produced by Bonobo.
- I Follow Rivers Lykke Li · Swedish, tribal drums, heartbreak. The song Loreen fans are supposed to know.
- Dancing On My Own Robyn · You have played Calum Scott's cover thirteen times. This is the original, and it is a dance record with a broken heart.
- Wait M83 · A French synth band writing a lullaby the size of an Imagine Dragons chorus.
- Lisztomania Phoenix · The most joyful three minutes in French pop. Uptown Funk energy, Versailles accent.
- 5:55 Charlotte Gainsbourg · Produced by Air, sung in a Hardy-like whisper. Your evening jazz-singer habit, in English.
- Ex-fan des sixties Jane Birkin · A roll-call of the sixties sung by its most English Parisian. Made for someone who plays Tous les garçons et les filles 59 times.
- Les copains d'abord Georges Brassens · Guitar, moustache, wordplay. You have Brel and Trenet; Brassens is the third pillar and the funniest.
- La symphonie des éclairs Zaho de Sagazan · The 2023 French breakthrough: Christine and the Queens' theatricality with a Kraftwerk pulse.
- Amour plastique Videoclub · Teenage synth-pop from Nantes. If you loved Angèle's Flou, this is its cooler cousin.
- Je veux te voir Yelle · Rude, bouncy, unbelievably catchy. Tilted's chaotic older sister.
- Samba da Bênção Bebel Gilberto · The Portuguese original of Stacey Kent's Samba saravah.
- Corcovado Astrud Gilberto · The voice on The Girl from Ipanema, singing the quietest Jobim tune ever written.
- I Fall in Love Too Easily Chet Baker · You played a jazz-trio version of this in 2020. This is the one with the trumpet and the ruined voice.
- Feeling Good Nina Simone · Avicii covered it, Bublé covered it. Nina owns it.
- Early Summer Ryo Fukui · Sapporo jazz piano, 1976. The record every Ghibli-jazz cover channel is secretly imitating.
- Aruarian Dance Nujabes · Japanese hip-hop instrumental built on a Debussy-ish guitar loop. Lo-fi before lo-fi.
- Dawn in the Adan Ichiko Aoba · From Windswept Adan, a concept album about an imaginary island. Hisaishi would approve.
- Blue Bicycle Hauschka · Prepared piano: bottle tops and felt on the strings. Chilly Gonzales meets a bicycle bell.
- Mykonos Fleet Foxes · Harmony folk with a second half that gallops.
- Numb Elderbrook · You have heard his voice on CamelPhat's Cola without knowing. Solo he is Rudimental's melancholy side.
- Swallow Monolink · Berlin melodic techno with a singer-songwriter on top. Ben Böhmer's neighbour.
- No Captain Lane 8 · With Poliça on vocals. This is the 3am version of Firestone.
- The One You Left Behind Yotto · Finnish, Anjunadeep, chords that resolve exactly when you want them to.
- Because You Move Me Tinlicker · Dutch duo, piano-led progressive house. The playlist ends where TWO LANES' Movement begins.
Your biggest blind spots
Given everything you do play, these absences are genuinely surprising. Each is either wholly missing or present only as a stray play or two.
| Artist | Plays | Why it is surprising | Start here |
|---|---|---|---|
| Madonna | 0 | You have Kylie, Whitney, Mariah, Britney, Gaga and ABBA. The person who links all of them to the dancefloor is missing entirely; even your Like a Prayer is a house edit by LSR/CITY. | Like a Prayer |
| Kate Bush | 0 | You played a Paul Kold edit of Running Up That Hill four times in 2026. The original is a Christine and the Queens blueprint. | Running Up That Hill |
| Carole King | 0 | Tapestry is the mother of every piano singer-songwriter record you own, from Adele to Norah Jones. | You've Got a Friend |
| Antônio Carlos Jobim | 0 | Half your French-jazz collection is Jobim in translation (see section 41). | Águas de Março |
| Nina Simone | 0 | Six jazz singers in your history and not one play of the most important. | I Wish I Knew How It Would Feel to Be Free |
| Björk | 0 | You own Ólafur, Sigur-adjacent piano, Eurovision drama and Christine's theatricality. Björk is all of that in one person. | Jóga |
| Massive Attack | 0 | Your only Teardrop is José González's cover. The original has the heartbeat. | Teardrop |
| The Beatles | 8 | Eight plays in thirteen years, and most are Here Comes the Sun. For someone with 43 Queen and 44 Elton plays that is very low. | Blackbird |
| Erik Satie | 6 | Tiersen, Gonzales, Einaudi and Frahm all descend from the Gymnopédies, and you have only heard them orchestrated or on guitar. | Gymnopédie No. 1 |
| Alan Menken | 0 | You play Frozen, Aladdin, Beauty and the Beast and Hercules through the cast recordings but never the composer's own score albums. | The Prologue (Beauty and the Beast) |
| Vangelis | 0 | Zimmer's synth-orchestral language was invented here. You have the Blade Runner score only through a cover orchestra. | Chariots of Fire |
| Sufjan Stevens | 2 | Two plays of one song. The banjo-and-orchestra Illinois album is the missing bridge between your José González folk and your film scores. | Chicago |
| Serge Gainsbourg | 3 | You play La Javanaise by Juliette Gréco and Livia Blanc, and Bardot's La madrague. Gainsbourg wrote or shaped all of it. | La Javanaise |
| Radiohead | 4 | Four plays of Hunting Bears on one day in 2014. You have heard Creep only as covers (Karen Souza, GAMPER & DADONI). | No Surprises |
| Bon Iver | 2 | Birdy's Skinny Love, 12 plays. Bon Iver's, 0. You have only a Kyson remix of Holocene. | Holocene |
| Yo-Yo Ma | 0 | 319 plays of 2CELLOS and eight plays of the Bach prelude, and no Yo-Yo Ma. | Bach Cello Suite No. 1 |
| Stromae | 7 | Seven plays, none of them Alors on danse or Papaoutai. For an Angèle and Madame Monsieur listener that is an open goal. | Papaoutai |
| Phoenix | 0 | The biggest French pop export of the 2000s, and you have Daft Punk and Air. | 1901 |
| Amy Winehouse | 4 | Four plays of a Valerie live session. Back to Black is the record Adele, Duffy and Sam Smith were answering. | Back to Black |
| Sigur Rós | 0 | See section 1. The Icelandic band that every neo-classical artist you love grew up on. | Sæglópur |
Artists who sit exactly between two you love
Fourteen pairs. For each, the artist in the middle inherits something specific from both sides. Play counts are yours.
Kygo ↔ Ólafur Arnalds → Kiasmos never
From Kygo: the four-on-the-floor pulse and the piano hook. From Ólafur: literally the pianist, since Kiasmos is his duo. Start: Blurred.
Chilly Gonzales ↔ Yann Tiersen → Alexandra Stréliski 3 plays
From Gonzales: the Canadian salon-piano wit. From Tiersen: the film-ready melancholy (she scored Dallas Buyers Club and Big Little Lies). Start: Prelude.
Ed Sheeran ↔ Jack Johnson → Ziggy Alberts never
From Ed: the loop-pedal busker energy. From Jack: barefoot Australian surf calm. Start: Runaway.
The xx ↔ Oh Wonder → London Grammar 4 plays, a remix only
From The xx: the reverb, the restraint, the space. From Oh Wonder: the huge sad chorus. Start: Strong.
Madame Monsieur ↔ Christine and the Queens → Clara Luciani 4 plays
From Madame Monsieur: plain-spoken, clever French pop. From Christine: a low voice and a sense of drama. Start: La grenade.
Joe Hisaishi ↔ Max Richter → Ryuichi Sakamoto 6 plays
From Hisaishi: Japanese film melody. From Richter: minimalist repetition and an electronic undertow. You know Merry Christmas Mr. Lawrence; now Energy Flow and Aqua.
Calvin Harris ↔ Robin Schulz → Klingande never
From Calvin: the chart-sized hook. From Schulz: the sax-and-sunshine tropical bounce. Start: Jubel.
Stacey Kent ↔ Pauline Croze → Bebel Gilberto never
From Stacey: the jazz phrasing on bossa material. From Pauline: the French-Brazilian crossover. Bebel is the Brazilian at the centre of both. Start: Tanto Tempo.
Hans Zimmer ↔ Ludovico Einaudi → Jóhann Jóhannsson 9 plays
From Zimmer: cinematic scale (Arrival, Sicario). From Einaudi: the simple, repeated piano figure. You have The Theory of Everything; try Flight from the City.
ABBA ↔ Loreen → Robyn never
From ABBA: Swedish melodic perfection. From Loreen: dance-pop with tears in it. Start: Dancing On My Own.
Norah Jones ↔ Birdy → Laufey 3 plays, all a Christmas single
From Norah: jazz chords and a warm alto. From Birdy: the teenage piano-ballad directness. Start: From The Start.
Avicii ↔ José González → Thomas Jack never
From Avicii: the festival melody. From José: the acoustic guitar and folk voice. Thomas Jack coined the phrase tropical house. Start: Rivers.
Imagine Dragons ↔ Coldplay → Kodaline 5 plays
From Imagine Dragons: the drum-heavy build. From Coldplay: the falsetto and the hymn. You played All I Want in 2019; the album is High Hopes. Start: High Hopes.
Daft Punk ↔ Christine and the Queens → Justice never
From Daft Punk: filtered French disco. From Christine: pop theatre and choreography. Start: D.A.N.C.E..
Idina Menzel ↔ Cynthia Erivo → Anaïs Mitchell 3 plays
From Idina: the Broadway belt. From Cynthia: the modern musical's soul. Anaïs Mitchell wrote Hadestown. Start: Wait for Me.
How have you never listened to this?
Ten cases where the evidence is overwhelming. In most of them you have been circling the song for years through covers, remixes or its own sequel.
- Soda Pop and Your Idol You played HUNTR/X's Golden 59 times between October 2025 and February 2026, and never once pressed play on the rival boy band from the same film. Saja Boys have zero plays. The soundtrack has a villain song and you skipped it.
- Águas de Março Stacey Kent's Les eaux de mars: 13 plays. Pauline Croze's Les eaux de Mars: 1. Both are translations of this. Antônio Carlos Jobim: zero plays.
- Rouge no Dengon Kanako Ohba's piano version, played 12 times in August 2026. Kiki flies to this song. Yumi Matsutoya wrote and sang it in 1975 and is absent from your history.
- La Javanaise Juliette Gréco's version, Livia Blanc's version, and three plays of Je t'aime moi non plus. The man himself singing his own best song: never.
- The Sound of Silence Disturbed's version via the CYRIL remix: 27 plays in summer 2026, never skipped. Plus Lukulum's extended mix and ONY9RMX. The 1964 original with two voices and one guitar: never. Your three Simon & Garfunkel plays are all Cecilia.
- Skinny Love Birdy: 12 plays. David Fischbein: 8. A remix of Holocene: 2. The cabin-in-Wisconsin original that all of them are copying: none.
- Running Up That Hill Four plays of Kilian K's Paul Kold edit in July 2026. You liked the tune enough to hear it as a house track. Hear it as a thunderstorm.
- Teardrop José González's cover: 2 plays. The original, with Elizabeth Fraser of Cocteau Twins (who you also sampled in 2014): none.
- Creep Karen Souza's jazz Creep (3), GAMPER & DADONI's dance Creep (8, still going in 2026). Radiohead's own Creep: none. Your four Radiohead plays were Hunting Bears, an instrumental, on one afternoon in 2014.
- Orinoco Flow You have DJ BoerBeats' Only Time EDM (5 plays) and a mash-up of Only Time with Teach Me How to Dougie (2 plays, and I have questions). Enya: 3 plays of May It Be. Orinoco Flow is the one that was built for your sleep-tone hours.
One step outside the comfort zone
Each of these is reachable from one specific artist you already love. Nothing here requires a leap, only a slightly longer step.
AURORA
Norwegian, elfin, dramatic. Her chorus on Runaway is Firestone's melancholy with the drop removed.
Sufjan Stevens
Two plays so far. Mystery of Love is the fingerpicked ballad from Call Me by Your Name; from there, Chicago.
Laufey
Three Christmas plays. From The Start is a bossa-jazz pop song by a 26-year-old Icelander that has Norah's whole harmonic vocabulary.
Caro Emerald
Dutch retro-jazz pop. A Night Like This is Swing Republic with a proper singer and a budget.
Stromae
Seven plays, none of them the hits. Alors on danse then Papaoutai. Belgian, brilliant, the reason Angèle exists.
Hania Rani
Five plays of Glass in summer 2026. Follow it with Eden: Polish, piano-first, hummed vocals, Frahm's warmth with a jazz pianist's fingers.
Cigarettes After Sex
Nothing's Gonna Hurt You Baby. If The xx's Intro is the corridor, this is the room at the end.
Nujabes
The Ghibli jazz covers you play at work are a watered-down version of this Tokyo producer's beat-jazz. Feather.
Kings of Convenience
Two plays of Misread. Norwegian duo, two guitars, whispered harmonies. I'd Rather Dance with You is the song that will get 20 plays in a day.
Lisa Gerrard
The voice on Now We Are Free (20 plays plus the LABACK, Leblanc and Andres Newman remixes) is Lisa Gerrard's. Her band Dead Can Dance made The Host of Seraphim, which is that song's cathedral. Check: Dead Can Dance and Lisa Gerrard are both absent from your history.
Dermot Kennedy
Seven plays, all After Rain. Outnumbered is the Irish version of a Sheeran ballad, sung twice as hard.
Ólafur Arnalds with Bonobo
Loom (with Bonobo, 2 plays in your history). Piano, strings and a producer's beat: a small step from Erla's Waltz towards your 2026 dance habit.
Three steps outside
Bigger risks, each with the path spelled out. The last step in every chain is the recommendation; the first two are places you have already been.
Terry Riley
Fifty-three short phrases, any number of players, forty-five minutes of shimmer. Every Glass etude and Max Richter loop you love descends from it.
Boards of Canada
Your 432 Hz sleep habit is ambient music without the art. This is the art: warm synths that sound like a childhood documentary.
Alice Coltrane
Harp and tanpura over a bass line that never changes. It is the record your Miracle Tones habit has been trying to find.
Tatsuro Yamashita
Seventies and eighties Japanese pop that sounds like Earth, Wind & Fire on a Tokyo motorway. His wife Mariya Takeuchi made Plastic Love, the internet's favourite song.
Lankum
A pub song slowed until it becomes a funeral march. Terrifying, beautiful, and the reason Irish folk is exciting again.
Bicep
Breakbeats and a melody that feels like remembering a party you were not at. The step after Friendships, if Friendships grew up in Belfast.
Weyes Blood
You have eight Carpenters plays. Weyes Blood is Karen Carpenter's voice writing songs about the end of the world.
Henryk Górecki
A soprano over strings that move like a glacier. It sold a million copies in 1992 and is the saddest thing you will hear this year, in a good way.
The rabbit hole
One start point, ten hops, each one adjacent to the last, ending somewhere you would never have gone on purpose: from a French jazz singer to a synthwave car chase.
The hole works because every hop is a real connection: a writer, a co-writer, a film, a label, a cover you already played. You also own Chromatics (2 plays of Into the Black), who are on the same Drive soundtrack, so the far end of the hole is closer to home than it looks.
Five rabbit holes, five stages each
Five artists you love, each followed five stages out. Stage one is a small step; stage five is another country. Stop wherever it stops being fun.
From Chilly Gonzales 155 plays, weekends
From Kygo 85 plays, Firestone 48
From Madame Monsieur 145 plays
From Joe Hisaishi 164 plays across nine years
From The xx 40 plays, Intro 36 of them
Songs you should already know
Twenty-five tracks where the reaction should be "how is that not in my history". None of them is, apart from the odd cover.
- Dancing On My Own Robyn · Thirteen plays of the cover, none of the original.
- I Follow Rivers Lykke Li · Swedish pop for a Loreen and Tove Lo listener.
- Midnight City M83 · The saxophone at the end is the most 2011 thing that ever happened.
- 1901 Phoenix · Paris, guitars, joy.
- Hoppípolla Sigur Rós · The BBC nature-documentary theme of your teenage years.
- Chicago Sufjan Stevens · Trumpets, strings, a road trip.
- White Winter Hymnal Fleet Foxes · A round for four voices.
- Nantes Beirut · A Balkan brass band playing French chanson, from New Mexico.
- In the Waiting Line Zero 7 · The Garden State song. Your Air and Morcheeba-shaped hole.
- Porcelain Moby · Strings, a piano loop, a sample. 1999's Nuvole Bianche.
- Thank You Dido · The template for every quiet British radio ballad you love.
- Time After Time Cyndi Lauper · You have Iron & Wine's cover ten times and Mabel's advert version three times.
- Linger The Cranberries · You played Abbie Callahan's Linger twice. This is the one with the strings.
- Sweet Dreams (Are Made of This) Eurythmics · A Callum J Wright acoustic cover is in your history; Annie Lennox's original is not.
- Take On Me a-ha · Norway's first great pop export, decades before Kygo.
- Like a Prayer Madonna · You own a house edit. Own the gospel choir.
- It's Oh So Quiet Björk · A big-band showtune that explodes. Made for a Glee and Swing Republic listener.
- Glory Box Portishead · Bristol, 1994, a voice like smoke. The Lana Del Rey origin story.
- Ironic Alanis Morissette · The nineties radio staple you skipped (see section 22).
- You've Got a Friend Carole King · The mother of the piano ballad.
- How Deep Is Your Love Bee Gees · Falsetto harmony that Coldplay and Sam Smith both borrowed.
- Feeling Good Nina Simone · Avicii and Bublé both covered it; you have neither cover either.
- The Girl from Ipanema Stan Getz with Astrud Gilberto · You have three Getz plays from a live album. This is the studio classic (Getz/Gilberto, 1964).
- La Femme d'argent Air · Six Air plays, none from Moon Safari. This opens it.
- Alors on danse Stromae · Seven plays and you missed the biggest French-language hit of the decade.
One album for every year, 2014 to 2026
Each album is matched to what you were actually playing that year, and each is one you have never heard: the artist is absent, or every track on the album is.
| Year | You were playing | The album you missed | Why it belongs there |
|---|---|---|---|
| 2014 | Ed Sheeran's x, Sam Smith, Birdy, Ella Henderson, one big James Blunt weekend | I Never Learn Lykke Li, never played | Nine heartbreak ballads in 33 minutes, released the same May as x. The Swedish answer to the year you moved to Britain. |
| 2015 | Grand Budapest Hotel on repeat, Kygo's Firestone (42 plays), first Chilly Gonzales, Oh Wonder after midnight | In Colour Jamie xx, never played | The xx's producer making a whole album of Intros with a dancefloor underneath. Loud Places is the Oh Wonder song you were looking for. |
| 2016 | Relax α Wave Ghibli piano, Swing Republic, RIDSA on repeat, first Dua Lipa | Animal Fakear, never played | A producer from Caen sampling Japanese flutes and koto over house beats. Your 2016 Ghibli habit and your dance habit in one record. |
| 2017 | Chambers whole, Guardians of the Galaxy, Stranger Things, Bucko's Christmas, first Juliette Armanet | Presence Petit Biscuit, never played | A teenager from Rouen making tropical house with the reverb of a film score. Sunset Lover is the Firestone of 2017. |
| 2018 | tricolor and ko-ko-ya in May, Game of Thrones in June, a French-pop December (Angèle, Clara Luciani, Therapie TAXI) | Little by Little Lane 8, never played | Released that February. Melodic house you would have found eight years earlier than you found Ben Böhmer. |
| 2019 | 140 Eurovision plays, Madame Monsieur's Vu d'ici whole, Jack Savoretti, Noah Cyrus's July, first 2CELLOS | Les failles Pomme, never played | The French album of 2019 (Victoires de la Musique winner). Anxiety, grief and a harp, sung by someone who sounds like Cœur de Pirate's quieter sister. |
| 2020 | The Mandalorian in January, then months of jazz trios and Cafe Music BGM channel | Mordechai Khruangbin, never played | Texas trio playing Thai funk, dub and a bit of bossa. The lockdown record that sounds like your 2020 background jazz with the lights turned up. |
| 2021 | Tilted 56 times in a day, French jazz singers in May, Eurovision, Greatest American Hero, Kaiser Hulenstadt after midnight | On n'enferme pas les oiseaux Barbara Pravi, never played | Her Eurovision year album. Voilà, plus ten more songs in the same Piaf-meets-Christine register you were living in. |
| 2022 | Ed Sheeran's = whole, Queen, first Kanako Ohba, first Pascal Letoublon | Everything I Know About Love Laufey, only a Christmas single played | Jazz-pop debut from the Icelandic-Chinese cellist-singer. Norah Jones for someone who also played = front to back. |
| 2023 | 2CELLOS silence from February, a French-jazz June (Thomas Dutronc, Cécile McLorin Salvant), Howard Shore whole, Australia | La symphonie des éclairs Zaho de Sagazan, never played | The French record of 2023. Chanson lyrics over Kraftwerk synths, sung with a voice that could front Christine's band. |
| 2024 | Pete Tong's Ibiza Classics, Kate Rusby, Kygo revisited, nineties dance in December, Wicked, the sleep tones begin | II Kiasmos, never played | Released that year. Ólafur Arnalds on a dancefloor: the orchestral-house idea of Ibiza Classics, done by a composer you already love. |
| 2025 | Golden 59 times, I Like Life 21 times in an evening, Brûler le feu whole, Now We Are Free, Ado | Luminescent Creatures Ichiko Aoba, never played | Released February 2025. Guitar, voice, deep-sea imagery. The album your Ghibli piano and your sleep tones were both circling. |
| 2026 | Denmark. The xx's Intro 36 times, CYRIL remixes, TWO LANES, Ben Böhmer, a Kanako Ohba binge, Parisian musette | The Last Resort Trentemøller, never played | Copenhagen's great electronic album: minimal techno that turns into ambient by the end. Your new city's answer to your new dance habit. |
Ten albums that could become all-time favourites
You play whole albums rarely, but when you do (x, Chambers, Vu d'ici, Amélie, Night Visions) they stick for a decade. These ten have that kind of staying power, and you have not heard them.
Takk...
Sigur Rós. Glacier strings, glockenspiel, a falsetto in Hopelandic. Hoppípolla and Sæglópur are on it. This is the record Ólafur Arnalds and every neo-classical artist you love grew up inside.
Illinois
Sufjan Stevens, 2 plays of one other song. Banjo, choir, trumpets and a 74-minute concept album about one American state. Chicago, Casimir Pulaski Day and John Wayne Gacy Jr. are all here. Folk built like a film score.
Moon Safari
Air, six plays and none from this. Sexy Boy, La Femme d'argent, All I Need. The Versailles duo who made lounge electronica into something you can cry to. Your Bon Entendeur listens are this record's grandchildren.
I Put a Spell on You
Nina Simone. Feeling Good, Ne me quitte pas, the title track. Big band on some tracks, solo piano on others, and the voice of the century throughout.
Getz/Gilberto
Stan Getz and João Gilberto with Jobim at the piano. You have three Getz plays from a live album; this is the studio record that invented bossa nova for the world. The Girl from Ipanema, Corcovado, Desafinado.
Hikōki Gumo
Yumi Matsutoya as Yumi Arai, aged nineteen. The title track is the closing song of The Wind Rises (you played Phil Larson's orchestration twelve times). The whole album is Carole King in Tokyo.
Wolfgang Amadeus Phoenix
Phoenix. Ten songs, no filler, 1901 and Lisztomania in the first two slots. The most replayable French pop album of its era.
Esja
Hania Rani, 5 plays from a later record. Her solo piano debut, named after an Icelandic mountain. Glass, Eden, Sun. If Chambers is your weekend record, this is the next one.
Panic
Caravan Palace. Electro-swing with a live band: Django guitar, clarinet, house beats. Rock It for Me and Dramophone are the songs Swing Republic wishes it had written.
Tapestry
Carole King. It's Too Late, So Far Away, You've Got a Friend, I Feel the Earth Move. Piano, a slightly husky voice, no tricks. The album every singer-songwriter you love has on their shelf.
Albums to play from beginning to end
Records that only work as a whole, with the reason each one rewards the full hour. Play counts show how little of each you have touched.
| Album | Your exposure | Why the whole thing |
|---|---|---|
| The Blue Notebooks Max Richter | You know On the Nature of Daylight and Vladimir's Blues | Tilda Swinton reads Kafka between the pieces; the strings answer her. Heard in order it is a single 45-minute argument about memory. The singles are the scaffolding. |
| Chernobyl Hildur Guðnadóttir | None | Recorded inside a decommissioned power plant in Lithuania. The reactor hum is the drone; the cello is the only human. It builds like the series. |
| Orphée Jóhann Jóhannsson | 9 plays, all The Theory of Everything | His last solo album before he died in 2018. Strings, organ, a numbers-station radio voice. It moves from A to B; the tracks alone sound like B without the A. |
| async Ryuichi Sakamoto | 6 plays, all Merry Christmas Mr. Lawrence | Made after his cancer diagnosis, using a piano that survived the 2011 tsunami. Silence is part of the score. Play it with headphones and nothing else running. |
| Teen Dream Beach House | None | Ten songs in one shade of gold. Zebra opens it, Take Care closes it, and nothing in between breaks the spell. |
| Cigarettes After Sex Cigarettes After Sex | None | One tempo, one reverb, one hour. It is closer to a Miracle Tones session than a pop record, which is the point. |
| Fleet Foxes Fleet Foxes | None | The harmonies are arranged across the album like a day: morning hymn, noon, dusk (Blue Ridge Mountains), night (Oliver James, sung unaccompanied). |
| For Emma, Forever Ago Bon Iver | 2 plays of a remix | Recorded alone in a Wisconsin cabin over one winter. Thirty-seven minutes, and the last song (re: stacks) only lands if you have sat through the cold before it. |
| All Melody Nils Frahm | 45 plays, none from this | Built in his Funkhaus studio in Berlin with pipe organ, choir and analogue synths. The title track and #2 are its dance peak, but you need the quiet before them. |
| Mezzanine Massive Attack | None | Angel, Teardrop, Inertia Creeps. Bristol paranoia at 90 bpm. It is sequenced like a night that gets darker, then Group Four at the end lets the light in. |
| Con Todo El Mundo Khruangbin | None | A guitar, a bass and a drum kit, no singing to speak of. It is a mood you put on for a dinner and forget to turn off. |
| Solo Piano II Chilly Gonzales | 155 plays, none from this album | The sequel to the album your Solo Piano pieces come from. Fourteen miniatures, each two or three minutes, meant to be heard as one sitting. Kenaston is the one you will loop. |
Artists you have seriously underestimated
Every artist here has between one and five plays in your history, none of it sleep audio. The play count is shown, followed by exactly where to restart.
| Artist | Plays | What you heard | Restart with | Why |
|---|---|---|---|---|
| Laufey | 3 | Winter Wonderland, Christmas 2023 | From The Start | A jazz-pop songwriter with Norah Jones's chords and Birdy's age. The album Bewitched won a Grammy. |
| Diana Krall | 5 | Just You, Just Me | The Look of Love | Your Stacey Kent and Madeleine Peyroux habit, with a better pianist. |
| Hania Rani | 5 | Glass, summer 2026 | Eden | You liked Glass enough to play it five times in six weeks. Eden is the same album's best track. |
| Alexandra Stréliski | 3 | Plus tôt | Burnout Fountain | Québec piano that sits precisely between Tiersen and Gonzales. |
| Bon Iver | 2 | Holocene (Kyson Remix) | Holocene | The original is the one with the falsetto and the snow. |
| London Grammar | 4 | Hey Now (J'Adore Dior Remix) | Strong | Hannah Reid's voice is The xx's Intro given words. |
| Daughter | 2 | Numbers, November 2015 | Youth | The Oh Wonder of 2013. Youth is a song for your after-midnight hours. |
| Sufjan Stevens | 2 | The Only Thing | Mystery of Love | Call Me by Your Name's love theme. Then Chicago. |
| Clara Luciani | 4 | On ne meurt pas d'amour | La grenade | Low voice, disco strings, a French Christine. La grenade was the song of 2018 in France. |
| L'Impératrice | 5 | Vanille fraise | Peur des filles | Paris disco-funk in the Bon Entendeur register. You have played one song five times over eight years. |
| Benjamin Biolay | 5 | J'ai ta main | Comment est ta peine? | The heir to Gainsbourg, with the orchestral touch of your film scores. |
| Lianne La Havas | 4 | What You Don't Do, 2015 | Green & Gold | London soul-folk with a guitarist's harmony. Your Chet Faker and John Legend plays point here. |
| Laura Marling | 5 | Kathy's Song (a Paul Simon cover) | Goodbye England (Covered in Snow) | The best English folk songwriter of her generation. You only heard her singing someone else. |
| Damien Rice | 3 | I Don't Want to Change You | The Blower's Daughter | James Blunt's Moon Landing weekend was this song's descendant. |
| Emile Mosseri | 5 | Jacob and the Stone | Rain Song | The Minari score. Piano, wordless voice, a family in a field. Your Red Turtle plays predicted this. |
| Kodaline | 5 | All I Want | High Hopes | Irish Coldplay. You sampled the sad one; this is the one with the chorus. |
| Fred again.. | 5 | 17th December 2020 (Waterloo Station) | Marea (We've Lost Dancing) | House built from voice notes. Friendships and Movement grew up next to this. |
| ODESZA | 2 | Say My Name, 2014 and 2025 | A Moment Apart | Film-score electronica. Imagine Dragons drums under a Kygo sunset. |
| Sofiane Pamart | 2 | DEAR | Medellin | Paris piano with hip-hop drama. You heard one track in 2026 and moved on. Do not. |
| Ásgeir | 2 | Summer Guest | King and Cross | Icelandic folktronica; his father writes the lyrics. Ólafur fans' favourite singer. |
| Anaïs Mitchell | 3 | Shepherd, 2015 | Wait for Me | She wrote Hadestown. The song is the musical's centre and your Wicked plays say you will love it. |
| Eva Cassidy | 2 | Autumn Leaves | Fields of Gold | Sting's song, made devastating. You have Tobias Berntsson's cover and two Sting plays; this is the version. |
| Arvo Pärt | 3 | Cantus in memoriam Benjamin Britten | Spiegel im Spiegel | Piano and violin, ten minutes, nothing wasted. The Max Richter source code. |
| Explosions In The Sky | 5 | So Long, Lonesome | Your Hand in Mine | Post-rock with a Howard Shore heart. The Friday Night Lights theme. |
| Alphabeat | 5 | Fascination | 10,000 Nights | Danish. You live there now, and their pop is ABBA levels of cheerful. |
Give these another chance
Songs and artists you played once or twice, then left. Each one is unusually compatible with the rest of your taste, which suggests the timing was wrong rather than the song.
Beyond Leon Bridges · 2 plays
You played July (feat. Leon Bridges) eleven times and never skipped it. The man singing the second verse has a whole catalogue of warm Texas soul, and Beyond is his best love song. You liked his voice already; you just never followed it.
Amar pelos dois Salvador Sobral · 2 plays
The 2017 Eurovision winner, played twice in May 2019 during a 140-play Eurovision binge. It is a jazz ballad, no beat, no key change, and it is the closest thing Eurovision has produced to your Stacey Kent listens. Two plays for the winner is an injustice.
Misread Kings of Convenience · 2 plays
Norwegian, acoustic, two voices in harmony, and the sound José González built a career on. Your two plays were in 2014 and 2016. It has waited a decade for a third.
The Night We Met Lord Huron · 2 plays
June 2023, two plays. A waltz-time ghost story with the reverb of a Hozier record, and the band's whole catalogue sounds like a Western scored by Ólafur Arnalds.
Between the Bars Elliott Smith · 2 plays
Played twice in May 2021, during the same week as your French jazz discovery. Whispered, fingerpicked, two minutes long. Chilly Gonzales has covered him; Madeleine Peyroux has too.
Blue in Green Bill Evans Trio · 2 plays
Miles Davis's Kind of Blue, but this is Evans's trio version. Your 2020 was full of anonymous jazz trios; this is the one they were all imitating.
Memory Gongs Cocteau Twins · 2 plays
September 2014, two plays, during the same fortnight you found Aphex Twin and Labradford. The band's singer is on Massive Attack's Teardrop. Try Cherry-coloured Funk.
Music for 18 Musicians Steve Reich · 2 plays
Two plays on one day in March 2015. It is an hour long and only makes sense as an hour. Your Philip Glass etudes and Max Richter loops are its children.
Flashlight Bonobo · 2 plays
October 2014 and August 2016. Bonobo is what your 2026 melodic-house habit sounds like with a live band and a Brighton accent. Restart on Kerala.
Into the Black Chromatics · 2 plays
A Neil Young cover slowed to a synth crawl, played in February and July 2026. The band is on the Drive soundtrack next to Kavinsky (section 8), and their Kill for Love is the album.
Tout l'univers Gjon's Tears · 2 plays
Switzerland, Eurovision 2021, third place, French-language piano ballad with a voice that goes somewhere unreasonable. Two plays on the night of the final and never again.
Go Baby Cleo Sol · 2 plays
July 2026, two plays. London soul with the gentleness of your French jazz singers. Her album Mother is the best thing to have on at breakfast in Copenhagen.
DEAR Sofiane Pamart · 2 plays
A pianist who sells out arenas in France playing solo piano. Your Chilly Gonzales weekends have a Saturday-night version and this is it.
The second-chance playlist
Twenty tracks by artists you sampled (one to five plays) and never explored. None of these is the track you already heard.
- Strong London Grammar · 4 plays, all a remix.
- Youth Daughter · 2 plays.
- Holocene Bon Iver · 2 plays of a remix; here is the song.
- Mystery of Love Sufjan Stevens · 2 plays.
- From The Start Laufey · 3 Christmas plays.
- Eden Hania Rani · 5 plays of Glass.
- Prelude Alexandra Stréliski · 3 plays.
- La grenade Clara Luciani · 4 plays.
- Peur des filles L'Impératrice · 5 plays of one song.
- Comment est ta peine? Benjamin Biolay · 5 plays.
- Green & Gold Lianne La Havas · 4 plays in 2015.
- The Blower's Daughter Damien Rice · 3 plays.
- Marea (We've Lost Dancing) Fred again.. · 5 plays.
- A Moment Apart ODESZA · 2 plays.
- High Hopes Kodaline · 5 plays.
- Rain Song Emile Mosseri · 5 plays.
- Fields of Gold Eva Cassidy · 2 plays.
- The Look of Love Diana Krall · 5 plays.
- Spiegel im Spiegel Arvo Pärt · 3 plays.
- King and Cross Ásgeir · 2 plays.
One artist, the whole catalogue: Françoise Hardy
59 plays, and 43 of them are Tous les garçons et les filles in three different mixes. You have a two-song relationship with a sixty-year career. Here is the route through it.
Runner-up. Chilly Gonzales is a close second: 155 plays, but nothing from Solo Piano II or Solo Piano III, and you have four plays of Room 29, his song-cycle with Jarvis Cocker, without ever finishing it. The order to play: Solo Piano (2004), Solo Piano II (2012), Chambers (done), Solo Piano III (2018), then Room 29 as a whole, then his rap records for the jokes.
Deep cuts from artists you already play
Cross-checked against your per-artist track counts. Nothing here is in your top plays for that artist; most have zero plays.
| Artist | You hammer | Try instead | Why |
|---|---|---|---|
| Ed Sheeran | Bad Habits (71), Shivers (52) | Afire Love · Give Me Love | Neither has a single play. Afire Love closes x with a choir; Give Me Love is the six-minute build from + that predicted everything he did after. |
| Coldplay | A Sky Full of Stars (51) | Amsterdam · Til Kingdom Come | Zero plays of either. Amsterdam is the piano finale of A Rush of Blood; Til Kingdom Come is a campfire song written for Johnny Cash. |
| Imagine Dragons | On Top of the World (37), Demons (35) | Tiptoe · Every Night | Two Night Visions tracks you skipped on the album you played through. Tiptoe is the best drum sound on the record. |
| Kygo | Firestone (48) | Here for You · Kids in Love | Here for You features Ella Henderson, who you played 59 times. You have never put the two together. |
| Chilly Gonzales | Chambers, Solo Piano I pieces | Kenaston · Pretenderness | Kenaston (Solo Piano II) is his most beautiful piece; Pretenderness (Solo Piano III) is his funniest. |
| Joe Hisaishi | One Summer's Day (36 across versions) | The Path of the Wind · HANA-BI | Path of the Wind is Totoro's quiet theme and absent from your 71 tracks. HANA-BI is his non-Ghibli masterpiece for Takeshi Kitano. |
| Max Richter | Horizon Variations (8), The Departure (7) | Infra 5 · Sarajevo | Infra 5 is the piece he plays when he wants a room to cry; Sarajevo is On the Nature of Daylight's angrier sibling. |
| Yann Tiersen | Comptine d'un autre été (33) | Rue des cascades · Le Moulin | Both from the pre-Amélie albums, both with the accordion-and-toy-piano sound, neither in your 45 Tiersen tracks. |
| Nils Frahm | Ambre (9), Re (6) | Says · My Friend the Forest | Says is the eight-minute arpeggio that made him famous. My Friend the Forest is the All Melody track that sounds like Chambers. |
| Ólafur Arnalds | Erla's Waltz (7) | Only the Winds · Ágúst | Only the Winds is the string piece from For Now I Am Winter; Ágúst is a ninety-second solo piano miracle. |
| Christine and the Queens | Tilted (86) | Paradis perdus · Saint Claude | Paradis perdus mashes Christophe with Kanye West and is not in your 19 tracks. Saint Claude is Chaleur Humaine's opener. |
| Juliette Armanet | Le Dernier Jour du Disco (8) | Manque d'amour · Alexandre | Both from Petite Amie (2017), both missing from your 17 Armanet tracks. Manque d'amour is the one with the piano solo. |
| The xx | Intro (36) | Islands · On Hold | You have three tracks in your history. Islands is the pop song on the debut; On Hold is the Hall & Oates-sampling comeback. |
| Oh Wonder | Livewire (3), everything else once or twice | Hallelujah · Ultralife | Ultralife has one play, which cannot be right. Hallelujah (2020) is their best chorus. |
| Noah Cyrus | July (55) | I Got So High That I Saw Jesus · Lonely | Three tracks in your history, one of them 55 times. Both of these are July's siblings from The End of Everything. |
| José González | Step Out (22) | Crosses · Down the Line | Five tracks in your history. Crosses is the 2003 song everyone learned on guitar; Down the Line has the best groove he ever wrote. |
| Stacey Kent | Les eaux de mars (13) | Breakfast on the Morning Tram · Raconte-moi | Her English album with lyrics by Kazuo Ishiguro, and the title track of her second French one. |
| Norah Jones | Come Away With Me (12) | The Long Way Home · Nightingale | A Tom Waits cover, and the Come Away With Me deep cut nobody plays. |
| Calvin Harris | Summer (47) | Slide · Thinking About You | Slide has Frank Ocean and is the best thing he has produced. Thinking About You is 18 Months' overlooked ballad. |
| Avicii | Wake Me Up (27), Levels (19) | Heaven · Fade Into Darkness | Heaven is a Chris Martin song released after Tim died; Fade Into Darkness is the 2011 piano anthem. |
| Adele | Hello (9) | Hometown Glory · Love in the Dark | You have Hometown Glory only as a drum-and-bass remix. It was her first song, written at sixteen. |
| Hozier | Take Me to Church (21 of 21) | Cherry Wine · Work Song | One song, twenty-one times. Cherry Wine was recorded live on a rooftop at dawn. |
| Alexandre Desplat | Grand Budapest, Imitation Game | Lily's Theme · The Shape of Water | Lily's Theme opens the last Harry Potter film. The Shape of Water waltz won him his second Oscar. |
| Hans Zimmer | Now We Are Free (20) | Cornfield Chase · Day One | Both from Interstellar, both organ-led, neither in your 38 Zimmer tracks. |
| Lana Del Rey | Young and Beautiful (11) | Mariners Apartment Complex · Chemtrails over the Country Club | Her best writing is on the later albums, and your 20 tracks stop at 2019's Cinnamon Girl. |
Neglected albums by artists you love, ranked by confidence
The number is my confidence that you will play the whole album at least twice. It is based on how much of the artist you already play and how close the album is to the songs you repeat.
| Confidence | Album | What you have heard from it | The case |
|---|---|---|---|
| 95% | Solo Piano II Chilly Gonzales | Nothing | You played Chambers whole and Solo Piano I in pieces. This is the record in between and the best of the three. |
| 90% | La question Françoise Hardy | Nothing | Bossa guitar, a whisper, thirty minutes. It is Stacey Kent's Les eaux de mars stretched into an album. |
| 88% | + Ed Sheeran | The A Team (10) | You played x and = front to back. + is the one before, with Give Me Love, Lego House, Small Bump and Kiss Me. |
| 85% | Parachutes Coldplay | Yellow (9), Sparks (2) | Forty minutes, quiet, guitar-led. Trouble and Don't Panic are the two Coldplay songs your Oh Wonder self would pick. |
| 82% | All Melody Nils Frahm | Nothing | 45 Frahm plays and none from his most complete album. |
| 80% | Kids in Love Kygo | Stranger Things (1), Never Let You Go (1) | Cloud Nine you sampled. Kids in Love is the warmer, more piano-led follow-up. |
| 78% | Vestiges & Claws José González | Nothing (Stay Alive and Step Out are from the Walter Mitty soundtrack) | His 2015 album is the one that sounds most like the Walter Mitty songs you love. |
| 75% | I See You The xx | Nothing | The one where they let in the sun. On Hold, I Dare You, Say Something Loving. |
| 72% | Piano Stories Joe Hisaishi | Nothing | His 1988 solo piano album, before the Ghibli piano cover industry existed. The source of Kanako Ohba's whole approach. |
| 70% | From Sleep Max Richter | Dream 3 (1) | Ten thousand plays of 432 Hz sleep tones say you want music to sleep to. Richter wrote eight hours of it, properly. From Sleep is the one-hour edit. |
| 70% | For Now I Am Winter Ólafur Arnalds | Nothing | His pop-adjacent album, with Arnór Dan singing. Only the Winds and Old Skin. |
| 68% | EUSA Yann Tiersen | Porz Goret (1) | Solo piano portraits of the island of Ushant. You played one track once in 2026. |
| 65% | Interstellar Hans Zimmer | Stay (1) | Organ, ticking clocks, a black hole. The whole album is one crescendo and you have one play. |
| 62% | Smoke + Mirrors Imagine Dragons | I Bet My Life (2), a Shots remix (1) | The follow-up to Night Visions, which you played whole. Gold and Polaroid are the deep cuts. |
| 60% | Petite Amie Juliette Armanet | L'amour en solitaire (6), L'Indien (2) | You played Brûler le feu whole. Petite Amie is the quieter, more piano debut. |
| 58% | Tandem Madame Monsieur | Nothing | Their 2020 album. Less Eurovision, more late-night electro-chanson. |
| 55% | Day Breaks Norah Jones | Carry On (1) | Her 2016 return to piano jazz, with Wayne Shorter. The album Come Away With Me fans waited fourteen years for. |
| 50% | Paranoïa, Angels, True Love Christine and the Queens | Nothing | Ninety minutes, Madonna appears, most of it in English. Tilted fans are divided. You might be the other kind. |
B-sides, deep cuts and overlooked tracks
Twenty songs by artists you already like, chosen to avoid anything in section 18 and anything you have played more than twice.
- Autumn Leaves Ed Sheeran · A + bonus track. The saddest song he has recorded.
- Gravity Coldplay · A B-side from 2005, later given to Embrace. Piano and nothing else for the first minute.
- Dream Imagine Dragons · Smoke + Mirrors' string ballad.
- Sunrise Kygo · With Jason Walker. The last track on Kids in Love.
- Wintermezzo Chilly Gonzales · Solo Piano III's coldest, prettiest minute.
- Innocent Joe Hisaishi · The music-box theme from Castle in the Sky, the film you play through a military band arrangement.
- Mrs Dalloway: In the Garden Max Richter · From Three Worlds, his Virginia Woolf ballet.
- Pell Yann Tiersen · EUSA's opening piano piece.
- Toilet Brushes Nils Frahm · Yes, played with toilet brushes on the strings. Live from Spaces.
- Nyepi Ólafur Arnalds · From re:member, a Balinese day of silence turned into strings.
- People, I've been sad Christine and the Queens · Half French, half English, all lockdown.
- Smile Madame Monsieur · From Vu d'ici, which you played whole; this one somehow has no plays.
- VCR The xx · The debut's happiest two and a half minutes.
- I Wish I Never Met You Oh Wonder · The 2020 song for the after-midnight version of you.
- Cycling Trivialities José González · Six minutes, one guitar figure, no chorus, hypnotic.
- The Ice Hotel Stacey Kent · Lyrics by Kazuo Ishiguro.
- Painter Song Norah Jones · The accordion waltz buried on Come Away With Me.
- Lovesong Adele · Her bossa-nova cover of The Cure, from 21.
- Diamond Heart Lady Gaga · Joanne's opener. A Shallow-era rock song before Shallow existed.
- Obliviate Alexandre Desplat · The first cue of Deathly Hallows, the film where Hermione erases her parents.
Twenty songs from before you joined Spotify
Everything here was released before May 2013, and no song here is in your history (where the artist appears at all, it is a stray play of something else). They are chosen to fit exceptionally, not merely to be old.
- Hallelujah Jeff Buckley · 1994. You have Hallelujah by 2CELLOS (9), Alexandra Burke and Tori Kelly. This is the one everybody means.
- Hikōki Gumo Yumi Matsutoya · 1973. The closing song of The Wind Rises, in its original teenage recording.
- Les Parapluies de Cherbourg Michel Legrand · 1964. The theme from the film musical every French jazz singer you like has covered.
- Jungle Drum Emilíana Torrini · 2008. Two minutes of ecstatic scat-pop.
- I'd Rather Dance with You Kings of Convenience · 2004. Two plays of another song; none of this one.
- Breathe Télépopmusik · 2001. French downtempo, a whispered vocal, an advert you will remember.
- Destiny Zero 7 · 2001. Sia's first great vocal, years before Chandelier.
- The Sea Morcheeba · 1998. Slide guitar and a voice like warm tea.
- At the River Groove Armada · 1997. A trombone and a Patti Page sample. Sunset music.
- Santa María Gotan Project · 2001. Tango over a house beat, from Paris.
- Fade Into You Mazzy Star · 1993. The slow dance at the end of every nineties film.
- Lovefool The Cardigans · 1996. Swedish pop from Romeo + Juliet.
- Torn Natalie Imbruglia · 1997. The best-written radio song of its year.
- The Mummers' Dance Loreena McKennitt · 1997. Celtic harp meets a trip-hop beat. For a Kate Rusby and Enya listener.
- Chariots of Fire Vangelis · 1981. Zimmer's synth-orchestra, invented.
- The Way I Am Ingrid Michaelson · 2007. Ukulele pop from the era of Jason Mraz's I'm Yours, which you have 12 times.
- Falling Slowly Glen Hansard · 2007. The song from Once. An Oscar and a whole musical came from it.
- Sing Travis · 2001. Banjo, Scotland, and the band Coldplay admit they copied.
- Wires Athlete · 2005. A song about a premature baby that fills stadiums.
- So Far Away Carole King · 1971. For someone who has lived in three countries in thirteen years.
The decade you skipped: the 1990s
Your sixties are French, your seventies are ABBA and Elton, your eighties are Journey and Wham!, and your nineties are one December of Real McCoy and Culture Beat. The rest of the decade is missing.
The nineties were the decade when the things you love now were invented: trip-hop is the ancestor of your after-midnight listening, Britpop is the ancestor of Coldplay, and the Icelandic and French records of 1998 and 1999 are the ancestors of everything in section 1. Twenty songs to start on. None of the songs is in your history, and where the artist is there at all it is a stray play or two.
- Unfinished Sympathy Massive Attack · 1991. Strings, a breakbeat, Shara Nelson walking down a Los Angeles street in one take.
- Roads Portishead · 1994. Bristol at 3am with a string section.
- Hyperballad Björk · 1995. A song about throwing things off a cliff before breakfast, and it builds like Sigur Rós.
- Lover, You Should've Come Over Jeff Buckley · 1994. Grace's heart.
- No Surprises Radiohead · 1997. Glockenspiel, a lullaby, the end of the world.
- Dreams The Cranberries · 1993. Dolores O'Riordan's yodel over jangling guitars.
- Sexy Boy Air · 1998. Moon Safari's single. Six Air plays and none of this.
- Porcelain Moby · 1999. The piano loop that soundtracked every advert of 2000.
- Svefn-g-englar Sigur Rós · 1999. Ten minutes, a bowed guitar, a sonar ping.
- My Favourite Game The Cardigans · 1998. Their rock single.
- No Ordinary Love Sade · 1992. You have one play of Christine and the Queens covering it live at RAK. Here is why she did.
- Missing Everything But the Girl · 1995, the Todd Terry remix. A folk duo's sad song became a house anthem. It is your whole 2026 in one record.
- Hand in My Pocket Alanis Morissette · 1995. Harmonica, lists, hope.
- All I Wanna Do Sheryl Crow · 1994. Sunshine and a bar in Los Angeles.
- Tom's Diner Suzanne Vega · The DNA remix, 1990. The song the MP3 was tested on.
- Nothing Compares 2 U Sinéad O'Connor · 1990. Prince wrote it; she owns it.
- Caribbean Blue Enya · 1991. Three Enya plays in your history, none of this waltz.
- Sweet Lullaby Deep Forest · 1992. A Solomon Islands lullaby over French synths. Your 432 Hz habit has a nineties ancestor.
- 6 Underground Sneaker Pimps · 1996. A John Barry harp sample and a trip-hop shuffle.
- Rome Wasn't Built in a Day Morcheeba · 2000, just inside the decade's exit door. The happy one.
Backwards through music history
Seven of your favourites, each traced back through who they were listening to, ending on a record that predates everything.
Ed Sheeran → the folk line
Ed learned his fingerpicking from Damien Rice (3 plays; Cannonball), who learned it from Nick Drake (8 plays; Pink Moon), who learned it from Bert Jansch (Needle of Death, 1965), who learned it from Big Bill Broonzy (Hey Hey, 1951). Five generations of one guitar style.
Christine and the Queens → the pop-theatre line
Chris's choreography is Michael Jackson (9 plays) and Prince (3 plays; I Would Die 4 U). Her French lyric tradition is Serge Gainsbourg (Initials B.B.), who took it from Boris Vian (Le déserteur, 1954), who took it from the cabaret songs of Mistinguett (Mon homme, 1920).
Chilly Gonzales → the keyboard line
Gonzales's miniatures come from Erik Satie (6 plays; Gnossienne No. 1), whose harmonies come from Claude Debussy (present; Arabesque No. 1), whose sense of touch comes from Frédéric Chopin (present; Nocturne Op. 9 No. 2), whose counterpoint comes from Johann Sebastian Bach (56 plays). One recommendation on the way back: Glenn Gould's 1981 Goldberg Variations, the recording Gonzales calls his bible.
Kygo → the dance line
Tropical house is Avicii (86 plays) plus reggae. Avicii is Daft Punk (24 plays) plus country. Daft Punk are Nile Rodgers and Chic (Good Times, 1979), who are Donna Summer (2 plays) and Giorgio Moroder (I Feel Love, 1977), who are Kraftwerk (Autobahn, 1974). Play I Feel Love and hear Firestone's grandmother.
Madame Monsieur → the chanson line
Mercy is a story-song in the tradition of Barbara (3 plays; Nantes), who learned from Jacques Brel (6 plays; Amsterdam), who learned from Charles Trenet (16 plays; Que reste-t-il de nos amours?), who learned from Joséphine Baker (10 plays; J'ai deux amours, 1930). You have most of this line already; Barbara is the gap.
Joe Hisaishi → the Japanese line
Hisaishi's minimalism is Ryuichi Sakamoto (6 plays; Energy Flow) and Yellow Magic Orchestra (Haruomi Hosono; Sports Men), whose modernism comes from Toru Takemitsu (Requiem for String Orchestra, 1957), whose colour comes from Debussy, who took it from Japanese prints. The line goes to Tokyo and back to Paris.
Stacey Kent → the bossa line
Stacey's French bossa is Antônio Carlos Jobim (Wave), who built on João Gilberto (Chega de Saudade, 1958), who built on Dorival Caymmi (O Que É Que a Baiana Tem, 1939), whose samba came from the Bahia street. And the French half is Henri Salvador (25 plays), whose 1957 Dans mon île João Gilberto cited as an influence. You have played the end of the line without the beginning.
Forwards from 2014
Your 2014 was Ed Sheeran, James Blunt, Coldplay, Imagine Dragons, Sam Smith, George Ezra, Avicii and Amélie. These are the artists who inherited each of those, and who you have not heard.
Sam Fender
Newcastle, a Springsteen saxophone, songs about his dad. Seventeen Going Under is the biggest British singer-songwriter song since Castle on the Hill.
Cian Ducrot
Irish, classically trained, cries on the chorus. I'll Be Waiting. Your Moon Landing weekend, ten years on.
Nothing But Thieves
Essex arena rock with a falsetto. Impossible is the Fix You of 2020.
Måneskin
Italy's Eurovision winners, and the only rock band your generation made stadium-sized. I Wanna Be Your Slave. Radioactive with eyeliner.
Lola Young
South London, a raw voice, a hit that sounds like a diary. Messy is Stay With Me told from the other side of the bed.
Michael Kiwanuka
A deep voice and a warm guitar, but with strings and a Mercury Prize. Cold Little Heart is the Big Little Lies theme.
Elderbrook and Bob Moses
Sung dance music with an acoustic heart. Inner Light together is Wake Me Up with the tempo halved.
Dom Dolla
Hideaway and My Love were your 2014 house songs. Dom Dolla is the Australian who made that sound huge again: Saving Up.
Riopy
A French pianist who plays like Tiersen with a drummer's hands. I Love You is the Comptine of the 2020s.
Holly Humberstone
Grantham, piano, ghosts. Scarlett has Ghost's chorus and a better bridge.
What 2014 Shannen would obsess over now
2014 you played x front to back, went through a James Blunt album in a weekend, and played Firestone 42 times the following year. These are the modern records that would have got the same treatment. None of the songs is in your history, and almost none of the artists.
- Seventeen Going Under Sam Fender · The Castle on the Hill of the 2020s.
- Messy Lola Young · 2014 you would have played this 30 times in a day.
- Sailor Song Gigi Perez · A guitar, a voice, a chorus about drowning.
- back to friends sombr · Bedroom pop with an Ed-sized hook.
- End of Beginning Djo · Steve from Stranger Things, whose score you played in 2017, singing about Chicago.
- Beggin' Måneskin · A Four Seasons cover that became a Eurovision-year phenomenon.
- Valentine Laufey · Jazz-pop for someone who played All of Me 58 times.
- I Love You, I'm Sorry Gracie Abrams · The Taylor Swift protégée.
- Scarlett Holly Humberstone · Ella Henderson's Ghost, rewritten by someone from Lincolnshire.
- House on Fire Mimi Webb · Radio pop in the Jess Glynne register.
- greedy Tate McRae · Ariana Grande's Problem for a new decade.
- Something About You Elderbrook with Rudimental, who you have 25 plays of.
- Tearing Me Up Bob Moses · Guitar-house with a chorus, Disclosure's American cousins.
- Brightest Lights Lane 8 · Firestone, aged ten years and grown wise.
- Come With Me Nora En Pure · South African-Swiss, piano-house, a Kygo sunset with better chords.
- Drinkee SOFI TUKKER · Portuguese poetry over jungle house. You have their remix of Trevor Hall already.
- Saving Up Dom Dolla · The Hideaway of 2024.
- Where You Are John Summit · With Hayla. Piano-house with a Titanium-sized vocal.
- I'll Be Waiting Cian Ducrot · The Moon Landing weekend, if it were a single.
- Cold Little Heart Michael Kiwanuka · Ten minutes; the first four are strings and no words.
- Impossible Nothing But Thieves · Coldplay's Fix You, rewritten in Southend.
- Strangers Sigrid · 3 plays of High Five. This is the hit, and it is Loreen-grade Scandi-pop.
- Runaway AURORA · The Norwegian who sounds like a snowfall.
- I Love You Riopy · The Amélie piano for a new film.
- Voilà Barbara Pravi · The Mercy of 2021.
A playlist for 2026 you, chosen entirely by 2014 you
Something odd is in the data. On 19 August 2014 you spent an afternoon with Brian Eno, Harold Budd, Aphex Twin's Avril 14th, Julianna Barwick, Grouper, Message To Bears and Ólafur Arnalds. Twelve years before the sleep tones, 2014 you already knew what 2026 you would need. This is that afternoon, extended by 2014's other loves, and pointed at your Copenhagen self.
- Midnight Coldplay · From Ghost Stories (2014), produced with Jon Hopkins. It is the closest Coldplay ever came to Ben Böhmer, and you have never played it.
- Avril 14th Aphex Twin · 11 plays, all 2014 and 2015. Two minutes of player-piano. Bring it to Denmark.
- An Ending (Ascent) Brian Eno · The ambient piece that makes the 432 Hz industry look silly.
- The Pearl Harold Budd with Eno · 9 Budd plays in 2014 and 2015. This is the one.
- Near Light Ólafur Arnalds · Your first Ólafur play was 19 August 2014. Two plays since. It deserves a decade.
- Says Nils Frahm · From Spaces (2013). You found Frahm in June 2014 and never played his most famous piece.
- Immunity Jon Hopkins · 9 plays of Small Memory. The ten-minute title track is the one to fall asleep to.
- Cirrus Bonobo · 2013. Your two Bonobo plays were 2014 and 2016; Cirrus is the loop that goes on forever.
- Sun Models ODESZA · You played Say My Name in October 2014. This is its sunnier neighbour.
- Firestone Kygo · December 2014. Forty-eight plays and still counting in 2026. 2014 you was right.
- Jubel Klingande · 2013. The sax-house track that 2014 radio played next to Waves and Prayer in C, and somehow missed you.
- One Day (Vandaag) Bakermat · 5 plays of Teach Me. One Day samples Martin Luther King over a saxophone and is 2014's happiest three minutes.
- Strong London Grammar · 2013. 2014 you heard a remix; 2026 you needs the original.
- Coffee Sylvan Esso · 3 plays of Hey Mami in late 2014. Coffee is the single, and it sounds like TWO LANES with a folk singer.
- Taro alt-J · 11 plays of Left Hand Free. Taro is the one with the tabla and the war photographer.
- Cherry Wine Hozier · Your first Hozier play was October 2014, and every play since has been Take Me to Church.
- Riverside Agnes Obel · You found her in September 2014 (16 plays since, mostly Chord Left). She lives in Berlin but is from Copenhagen. Welcome home.
- Only Love Ben Howard · August 2014, 9 plays total. The song for the ferry.
- Line of Fire Junip · José González's band, 11 plays in late 2014. Line of Fire is the song The Bridge used, which is the right show for Denmark.
- Tenerife Sea Ed Sheeran · 10 plays, all from the x era. The quiet one. 2014 you would insist.
Your festival
Three days, six stages, every act drawn from your history except five, who have never been played and have earned their slot. Call it Jardin d'Hiver, after the song you own in two versions.
Friday George Ezra 17:00 · OneRepublic 18:30 · Imagine Dragons 20:00 · Headliner Ed Sheeran 21:45 (x and = in full, with Afire Love as the encore)
Saturday Vance Joy 16:30 · Sam Smith 18:00 · Sigur Rós never played 19:30 at sunset · Headliner Coldplay 21:45 (fireworks on A Sky Full of Stars)
Sunday Queen + Adam Lambert 18:00 · Elton John 19:45 · Headliner Calvin Harris 21:45 (Summer as the last song of the weekend)
Friday Stacey Kent 15:00 · Zaz 17:00 · Juliette Armanet 19:00 · Madame Monsieur 21:00 (Mercy twice, both versions)
Saturday Pomme never played 16:00 · Angèle 18:00 · Bon Entendeur DJ set 20:00 · Headliner Christine and the Queens 22:00 (Tilted 56 times is not scheduled but cannot be ruled out)
Sunday a Françoise Hardy tribute set at 15:00 with Carla Bruni, Keren Ann and Coralie Clement · Henri Salvador songbook performed by Jill Barber 17:00 · Barbara Pravi never played 19:00
Friday Yann Tiersen 16:00 · Ludovico Einaudi 18:00 · Nils Frahm 20:30 · Max Richter Sleep from midnight to 8am (bring a mat)
Saturday Kanako Ohba 11:00 (Ghibli breakfast) · Ólafur Arnalds 16:00 · Chilly Gonzales 19:00 (talk-show format, audience requests) · Headliner Joe Hisaishi with orchestra 21:30
Sunday Ichiko Aoba never played 14:00 · Bach cello suites at 16:00 · Kaiser Hulenstadt and Hello Artemisia! as the closing ambient set
Friday Lost Frequencies 19:00 · Robin Schulz 21:00 · Kygo 23:00 · Pascal Letoublon 01:00
Saturday TWO LANES 18:00 · Ben Böhmer 20:00 at sunset · Lane 8 never played 22:00 · CYRIL 00:00 · Darude 02:00 (one song, you know which)
Sunday Pete Tong and the Heritage Orchestra 17:00 · Swedish House Mafia 20:00 · David Guetta 22:00 · an Avicii tribute at midnight
Friday Alexandre Desplat 18:00 (The Grand Budapest Hotel, complete) · Ramin Djawadi 20:30
Saturday Laurent Perez Del Mar 15:00 · Ludwig Göransson 17:00 · Howard Shore 20:00 (Fellowship, in full, 3 hours)
Sunday Dario Marianelli 16:00 (Pride and Prejudice, on a real piano) · Hans Zimmer 19:30 (Now We Are Free, with Lisa Gerrard as guest)
Saturday only, 14:00 to 23:00 Emmelie de Forest · Alexander Rybak · Salvador Sobral · THE ROOP · Conchita Wurst · Måns Zelmerlöw · Duncan Laurence · Headliner Loreen (Euphoria, then Tattoo, then Euphoria again)
Sunday, 11:00 Colin Buchanan Aussie Christmas brunch. In August. You would go.
Silent disco, all weekend Miracle Tones. 432 Hz. Nobody dances, everybody sleeps.
The five you have never heard, and why they are on the bill. Sigur Rós because a festival sunset needs Hoppípolla and Coldplay would agree. Pomme because the French stage needs a new voice under thirty-five. Barbara Pravi because she is the missing French Eurovision entry between Madame Monsieur and now. Ichiko Aoba because the piano tent needs one guitar. Lane 8 because he is the sound of your 2026 summer, and he headlines Ben Böhmer's label.
Your radio station
Radio Jardin d'Hiver, 96.4 FM, broadcasting from a conservatory somewhere between Singapore, London and Copenhagen. Its personality: a French cafe that turns into a Norwegian nightclub at 11pm and a Japanese forest at 3am.
Colette Verger
Morning chanson and Amélie piano. Colette is 61, smokes on air, and has played Le temps est bon every Monday since 2018.
Dan Ashby
Ed, Coldplay, Imagine Dragons, Calvin Harris. Dan is relentlessly cheerful and takes requests only if they are from 2014.
Herr Mendl
Film scores, one whole soundtrack a day. Herr Mendl speaks in a whisper and once played the Fellowship of the Ring in full without a link.
Ingrid Sørensen
Gonzales, Frahm, Richter, Bach. Ingrid is Danish, explains the harmony, and will not apologise for it.
Colette again
French jazz singers and bossa nova. Wine is implied.
Chris (no surname)
French pop, Eurovision and one song on repeat until the switchboard begs. Record: Tilted, 56 plays, 25 October 2021.
Magnus Lund
Melodic house from Bergen to Berlin. Magnus never speaks above a murmur and fades every track into the next.
Nobody
Oh Wonder, The xx, Kaiser Hulenstadt, Norah Jones. No presenter. The studio light is off.
A recorded voice
Ghibli piano, tricolor, Ichiko Aoba, and from 04:00, Miracle Tones until sunrise. The station's most listened-to hours by a factor of ten.
Recurring specials
Eurovision Emergency (every May, 24 hours) · Bucko's Christmas (9 December, annually, all 55 songs) · The Believe It or Not Hour (one song, 32 times, once a year on 30 November) · 2CELLOS Memorial Weekend (February, marking the anniversary of the last play) · Ibiza Classics Sunday (orchestral dance with Magnus and Ingrid arguing about strings).
One full day: Thursday 3 September 2026
The soundtrack to your life
Fifty songs in chapters. Drawn from your history but deliberately not your most-played; where a chapter needed a song you did not have, one is added and marked. It is meant to be listened to in order, once, with the lights low.
Chapter one · Singapore, 2013 140 plays, the beginning
- Intro Your second day on Spotify, 10 May 2013. It comes back 36 times in 2026. The bookend.
- Don't You Worry Child 8 May 2013, the first week. Never skipped since.
- Let Her Go 9 May 2013. The song of that year, in that heat.
- Get Lucky 26 May 2013, alongside your first Queen play.
- Reflektor 5 December 2013, the same night as your first Lana Del Rey.
Chapter two · Arrival, 2014 2,392 plays, the first big year
- Tenerife Sea 11 June 2014, the day you found x.
- Bonfire Heart One August weekend, a whole album, then silence.
- Canon in D January 2014. Somebody was planning something, and you were the research department.
- Waves (Robin Schulz Remix) The sound of British summer 2014.
- Something I Need Native, played whole.
- Avril 14th The August afternoon that predicted your sleep habit.
- I Never Learn added The record 2014 was missing.
Chapter three · Grand Budapest and Firestone, 2015
- Mr. Moustafa March 2015. Fifty plays of one soundtrack in one month.
- Firestone 42 plays that year. The song that never left.
- Gogol 25 March 2015, your first Gonzales play. Eleven years of weekends followed.
- Livewire November 2015, after midnight, as always.
- Chicago added The road-trip song for the year you settled in.
Chapter four · Piano and Ghibli, 2016 and 2017
- Merry-Go-Round of Life (piano) July 2016. The start of the Ghibli piano years.
- The Music Goes Round and Round Spring 2016, an electro-swing season.
- Advantage Points Chambers, played whole, 2017.
- Stranger Things December 2017, 33 tracks in one sitting.
- Aussie Jingle Bells 9 December 2017. Fifty-five plays. No further comment.
- Lone Digger added What your swing year should have ended on.
Chapter five · Japan and France, 2018
- A West Ocean Waltz May 2018, the Japanese acoustic spring.
- Light of the Seven June 2018, Game of Thrones in one week.
- Le temps est bon 13 September 2018, then 21 times in one December day.
- Christine 5 December 2018, your first play of hers. Tilted came later.
- Les séquoias added The French December, completed.
Chapter six · Eurovision and cellos, 2019
- Mercy (Eurovision version) January 2019 onwards. 113 plays across both versions.
- July 15 January 2019. Forty-three plays in a week, never skipped.
- Candlelight Forty plays in 2019, then gone.
- Arcade May 2019, the year of 140 Eurovision plays.
- May it Be 30 July 2019, the first of 319 plays. The musical ex.
Chapter seven · Inside, 2020 and 2021
- The Mandalorian January 2020, before everything closed.
- Blue in Green The jazz-trio year. This was the real one.
- Petite fleur April 2021, the French-jazz spring.
- Tilted 25 October 2021. Fifty-six times. A day that made the data.
- Believe It or Not 30 November 2021, 32 plays in two days. Something happened.
- Voilà added Your Eurovision 2021 without its best song.
Chapter eight · Equals, 2022 and 2023
- Overpass Graffiti = played whole, and this is its best song.
- Country Road (Whisper of the Heart) March 2022, your first Kanako Ohba play.
- Friendships 16 November 2022. Sixty-six plays and rising.
- The Shire 2023, the Fellowship in full again.
- Le Mal de Vivre June 2023, the second French-jazz spring.
Chapter nine · Sleep and Wicked, 2024 and 2025
- 9pm (Till I Come) April 2024, orchestral Ibiza. Seventeen plays.
- Three Little Birds June 2024, eighteen plays in four days.
- Defying Gravity December 2024.
- Golden October 2025. Fifty-nine plays. The discovery of the year.
- I Like Life 14 November 2025, twenty-one plays in an evening, never skipped.
Chapter ten · Denmark, 2026
- Miss You added Copenhagen's own, for the last track. From The Last Resort. Everything after this is yours to find.
If your taste were a film
Title: Jardin d'hiver. A three-act film about a woman who keeps the same four songs for thirteen years and changes everything else.
The pitch
Act one, Singapore, 2013: a young woman in a humid flat plays The xx's Intro at 2am and Swedish House Mafia at 9am. Act two, England, 2014 to 2025: she becomes British by radio (Ed, Coldplay, Sam Smith), French by choice (Hardy, Madame Monsieur, Christine), Japanese by night (Hisaishi, Ohba), and every December turns into a woman who plays an Australian Christmas album 55 times. There is a cello subplot that ends badly in February 2023. Act three, Copenhagen, 2026: the sleep tones, the melodic house, the Intro again. She is finally in a country where the winter garden is real.
Genre
A Wes Anderson picture scored by Joe Hisaishi, with one Eurovision musical number and one nightclub scene shot by the person who did the Drive titles.
Cast
- Shannen's taste: Léa Seydoux, because the taste is French at heart and quietly stubborn.
- The Piano (a recurring character who only speaks at weekends): Chilly Gonzales as himself, in a dressing gown.
- The Cello (the ex): Stellan Skarsgård, silent since 2023.
- The Radio (the friend who never changes): Ed Sheeran, in a cameo, playing Afire Love in a kitchen.
- The Sleep Tones (the narrator): Bill Nighy, at 432 Hz.
- Eurovision (the cousin who visits every May): Loreen, obviously.
- The Australian Christmas Album: itself.
Director
Wes Anderson, on the condition that the Desplat score is replaced by Hisaishi for act two and by Ben Böhmer for act three.
The soundtrack
- Intro Titles, Singapore, rain on a window.
- La valse d'Amélie Arrival in England.
- Afire Love The kitchen scene.
- Mr. Moustafa Montage: March 2015.
- Kenaston The Piano's first weekend.
- Le temps de l'amour Becoming French.
- One Summer's Day Night, Japan, a lamp.
- Mercy The Eurovision number, full choreography.
- Moon River The Cello, in love.
- Tilted The day she plays one song 56 times. Shot in one take.
- Hoppípolla new The Cello leaves. February 2023. Snow.
- Dream 3 (in the midst of my life) The sleep tones begin. Bill Nighy speaks.
- Golden The comeback montage, 2025.
- Miss You new Copenhagen, a ferry, a new flat.
- Erase The nightclub scene, August 2026.
- Jardin d'hiver End titles. Then Henri Salvador's version over the credits, because you own both.
If your taste were a city
Call it Shannenholm. A port city with a French old town, a Japanese garden, a conservatoire, and suburbs where ten thousand people sleep to the same tone.
Le Quartier Hardy
Cobbles, cafes, accordions in July. Françoise Hardy has the corner house; Henri Salvador and Keren Ann share a winter garden. Stacey Kent sings in the jazz bar, Madeleine Peyroux on Tuesdays, Carla Bruni when the mayor visits. Madame Monsieur run the community radio. New arrival, still unpacking: Pomme.
Firestone Quay
Yachts, a beach club, a sunset every day at 20:00. Kygo owns the club, Lost Frequencies and Robin Schulz DJ, Pascal Letoublon has been playing one song on the terrace since 2022. TWO LANES and Ben Böhmer moved into the new-build in summer 2026. Lane 8 has applied for planning permission.
Rue Gonzales
Tall windows, felt pianos. Chilly Gonzales lives above the music shop and only comes out at weekends. Yann Tiersen, Nils Frahm, Max Richter and Ólafur Arnalds are neighbours. Johann Sebastian Bach is the church. Hania Rani rents a room; Víkingur Ólafsson has never visited.
Totoro Park
A camphor tree, a bathhouse, a bakery. Joe Hisaishi conducts the bandstand; Kanako Ohba plays the piano in the tea house every August; tricolor and ko-ko-ya busk by the pond. Yumi Matsutoya wrote the songs on the bakery wall and nobody in the city knows her name.
Zimmer Heights
The tallest buildings, always brass. Hans Zimmer, Howard Shore, Alexandre Desplat, Ramin Djawadi and Ludwig Göransson. The Grand Budapest Hotel is a real hotel here and in March 2015 you lived in it. Hildur Guðnadóttir is building something on the edge of town.
Sheeran Street
The high street. Ed Sheeran busking outside the station since 2014, Coldplay on the roof of the department store, Imagine Dragons in the car park, Adele in the phone box, Calvin Harris running the summer fair. Dido used to live here but you never met.
Eurovision Dome
Open one weekend a year. Loreen headlines, THE ROOP do the warm-up, Conchita Wurst runs the bar. Barbara Pravi is on the poster for next year.
The Night Market
Only open 00:00 to 04:00. Oh Wonder (94% of their plays are here), The xx, Kaiser Hulenstadt, Hello Artemisia!, Norah Jones on the late shift. Cigarettes After Sex would fit perfectly and have never been invited.
432 Hz Estate
Ten thousand identical houses. Miracle Tones is the council. Soothing Oasis, Timo Krantz and An Invitation run the night bus. Nobody remembers the street names in the morning. Max Richter has offered to redesign the whole estate and been ignored.
Bucko's Shed
Open 9 December. Colin Buchanan, Michael Bublé, Bobby Helms, Wham!. Deck the shed with bits of wattle.
The Queen's Road
Queen, ABBA, Elton John, Journey, Electric Light Orchestra, Tina Turner. Carole King and Bee Gees have never been on this road, which is a planning failure.
Menzel Square
Idina Menzel, Glee Cast, Cynthia Erivo, Lea Salonga. HUNTR/X have the billboard. Saja Boys are on the same billboard and you have never looked up.
Your taste as a fictional universe
A continent called Shannenia, mapped by play count. Its countries are your clusters, its wars are your skips, and its prophecy concerns a Brazilian nobody has met.
The Republic of Radio
Capital: Sheeranopolis (385 plays). Provinces: Coldplay, Imagine Dragons, OneRepublic, Adele. Founded 2014, prosperous, a little predictable. Its anthem changes every year but is always in the key of a summer advert. Rival: none, it is too big to have one. It simply absorbs. The Weeknd and Miley Cyrus hold seats in its senate; Taylor Swift was granted citizenship in 2014 and rarely visits.
The Tropical Archipelago
Islands: Kygo, Avicii (the memorial island), Lost Frequencies, Robin Schulz, Pascal Letoublon (a single beach, one song on loop). In 2026 three new islands rose from the sea: TWO LANES, Ben Böhmer and CYRIL. The archipelago's navy is Swedish House Mafia. Its treaty with the Republic of Radio is called Summer, by Calvin Harris.
The Principality of the Piano
Prince: Chilly Gonzales, who rules only on Saturdays and Sundays. Court composers: Tiersen, Frahm, Richter, Ólafur, Einaudi. State religion: Bach. The principality is small, old and disproportionately influential; every other country sends its children here to learn to feel things.
The Ghibli Forest Kingdom
Ruled by a camphor tree. High priest: Joe Hisaishi (164 plays over nine years, the most patient reign in the continent). Royal pianist: Kanako Ohba, who performed 98 times in a single August. Border with the Principality of the Piano is open and unguarded. Hidden in the forest: the songwriter Yumi Matsutoya, whose songs the kingdom sings without knowing her name.
The Score Mountains
Brass, timpani, a wall of choir. Warlords: Zimmer, Shore, Desplat, Djawadi, Göransson. The mountains are visited in campaigns rather than lived in: the Grand Budapest campaign of March 2015 (50 plays), the Fellowship campaigns of 2015 and 2023, the Mandalorian expedition of January 2020. A new fortress, Hildur's, has been sighted but not entered.
La Francophonie
Queen: Françoise Hardy, on a throne made of one song. Ambassadors: Madame Monsieur, whose Mercy is the national poem. Court: Christine and the Queens (the jester who danced 56 times), Juliette Armanet, Zaz, Angèle. The jazz cafes of the old quarter are run by Stacey Kent, Jill Barber and Henri Salvador. Sworn enemy: Édith Piaf's Non, je ne regrette rien, which is skipped on sight for reasons the archives do not record.
The Eurovision Confederation
A league of small nations that meets once a year in May and fights with key changes. Champions: Loreen (twice), Duncan Laurence, THE ROOP (25 plays, the people's champion). France's delegation is Madame Monsieur; Portugal sent Salvador Sobral and was played twice, which the Confederation considers a diplomatic incident.
The Sleeplands
The largest territory by area and the emptiest by memory. Population: 10,217 Miracle Tones, 761 Soothing Oasis, 641 Timo Krantz. Nobody who enters remembers what was played. The Sleeplands pay half the continent's taxes and appear on no map made before 2024.
Rival factions and characters
The Cellists' Exile
2CELLOS ruled a border province from July 2019 to February 2023 with 319 plays, then vanished. The Principality of the Piano is suspected. Yo-Yo Ma, the rightful cellist, has never entered the continent.
The Skippers' Guild
A secret society that skips I Need Your Love every time it plays (109 of 110), along with Safari's COOL KIDS, Låpsley's Hurt Me and a Wedding Music version of Fireflies. Their motto: next.
Mercy
The child born at sea in Madame Monsieur's song, adopted as the continent's patron. 113 plays. The only citizen with two official versions.
The Greatest American Hero
A knight who appeared for two days in November 2021, was saluted 32 times (Believe It or Not), and rode away. Bards still ask what happened that week.
Bucko, the Christmas Bard
Appears on 9 December, sings 55 songs about feral pigs and cane toads, and is welcomed back six years later on Christmas Day. Colin Buchanan.
The Prophecy
A Brazilian composer whose songs the continent already sings in French, and who has never crossed the border. When Antônio Carlos Jobim arrives, the archives say, La Francophonie and the jazz cafes will discover they were always one country. See section 41.
The dating profile
If your music taste made a profile, this is what it would say. Age 13, born May 2013, three countries, looking for a Jobim.
ShannensTaste, 13
Location: Copenhagen, via London, via Singapore. Will relocate for a French pop December.
About me: I get up with Madame Monsieur and go to bed with 432 Hz sine waves. Between those I am mostly Ed Sheeran, unless it is the weekend, when I am Chilly Gonzales. I have a French side that I take very seriously and a Eurovision side that I take even more seriously, one month a year. I own Jardin d'hiver in two versions and will make you listen to both.
Looking for: someone who understands that playing one song 56 times in a day is commitment, not a problem. Someone who can sit through the whole Fellowship of the Ring score. Someone who will not mention the cello years.
My ideal Sunday: Bach cello suite in the morning, Chambers in the afternoon, a Ghibli piano album at dusk, then Oh Wonder after midnight because I cannot sleep, then I sleep.
Two truths and a lie: I played an Australian Christmas album 55 times in one day. I skipped I Need Your Love 109 times. I have heard a song by Madonna.
Green flags: you know the difference between the Eurovision version and the album version of Mercy. You have opinions about Firestone. You have never heard of Miracle Tones and never will.
Red flags: you put on Non, je ne regrette rien. You ask about 2CELLOS. You think Kygo and Avicii are the same person.
The song I would play you on a first date: Les eaux de mars. The song I would play you if it went well: July. The song I would play you if it went very well: Intro, 36 times.
Dealbreaker: if you have never heard Águas de Março, neither have I, and we will fix it together.
The roast
Delivered with affection, from the data, and with the receipts attached.
Let us begin with the numbers. You have listened to 5,731 artists. One of them is called Miracle Tones and accounts for 10,217 plays. That is more than Ed Sheeran, Coldplay, Imagine Dragons, Joe Hisaishi, Calvin Harris, Chilly Gonzales, Madame Monsieur, Yann Tiersen and David Guetta combined. If Spotify Wrapped were honest, your artist of the year would be a sine wave.
Your most-skipped song is Calvin Harris's I Need Your Love. Skipped 109 times out of 110. That is not a preference; that is a grudge. At some point you could have removed it from the playlist. You chose, 109 separate times, to be reminded that you do not need its love.
On 25 October 2021 you played Tilted by Christine and the Queens 56 times. Fifty-six. The song is 3 minutes 44 seconds long. That is three and a half hours of one song, on a Monday. The rest of that week you played it another 19 times, presumably to make sure. Christine has 19 tracks in your history and 86 of your 106 plays are Tilted. She made three whole albums for you and you picked one song and married it.
Speaking of marriage: January 2014, artist name Wedding Music, 25 plays, including Canon in D four times and a version of Fireflies you skipped every time. Also Piano Wedding Masters, Butterfly Waltz, twelve plays, skipped. You were either planning a wedding or doing an extremely thorough job of ruining somebody else's playlist.
9 December 2017. Colin Buchanan, Aussie Christmas with Bucko and Champs. Fifty-five plays in a day, including Deck the Shed with Bits of Wattle, The Holly and the Ivy (Feral Pig and Cane Toad), Santa Never Made It to Darwin and, crucially, the karaoke versions. You came back for it on Christmas Day 2023. You were in Australia that year. You had options.
2CELLOS. Three hundred and nineteen plays. Two men in Croatia playing Thunderstruck on cellos, and for four years that was the most serious relationship in your library. Then February 2023, nothing. No goodbye. They are still touring. You moved on to Howard Shore like nothing happened.
Your Beatles play count is eight. Your Colin Buchanan play count is seventy-one. History will ask questions.
You once played Believe It or Not, the theme from The Greatest American Hero, 32 times in two days in November 2021. You have never explained this to anyone and the data cannot either. It is a 1981 television theme about a man who cannot fly properly. It is not on any list. It is, apparently, yours.
You own Jardin d'hiver by Henri Salvador and Jardin d'hiver by Keren Ann and play them alternately as if refereeing. You have Les yeux ouverts by Emilie-Claire Barlow and Les yeux ouverts by Enzo Enzo and Les Yeux Ouverts by Trio Musette. You have three La Javanaises and none of them is by Gainsbourg. Your French jazz collection is a room full of covers with the original artist locked outside.
The Sound of Silence: Disturbed's version, remixed by CYRIL, 27 plays in a single summer. Simon and Garfunkel: three plays, all Cecilia. You will take the 1964 folk ballad only if a metal singer performs it over a house beat, which is a position, and you are entitled to it.
You have played Only Time by Enya as an EDM remix by someone called DJ BoerBeats, five times, and as a mash-up with Teach Me How to Dougie, twice. Enya herself: three plays. Somewhere in Donegal a castle door has quietly closed.
Your track lengths have been getting shorter every year, from 3.7 minutes in 2014 to 2.9 in 2026, and yet you sat through the Fellowship of the Ring score twice, in full, one of the times in 2023. Your attention span is fine. You are simply selective about what deserves it, and the answer is hobbits.
And finally: you have 466 plays of Studio Ghibli music, 98 of them in one August day on a Japanese piano album, and you have never once played the woman who wrote the songs in Kiki's Delivery Service. Yumi Matsutoya is in her seventies. She has time. So do you. Go.
Your taste on trial
The prosecution goes first and gives it everything. Then the defence, with exhibits.
The prosecution
Counsel for the prosecution: Members of the jury, the defendant's taste stands accused of being, at heart, a radio. We will show that its most-played music artist is the most-played music artist in Britain. That its most-played dance record is Summer by Calvin Harris. That it discovered Noah Cyrus, Mr. Brightside and Blinding Lights at the same time as everyone else and played them the same number of times. That it went to Eurovision like a tourist.
We will show that half of everything the defendant has played since 2024 is a sleep tone. Not music. A frequency. Ten thousand plays of a note.
We will show that when the defendant finds something it likes, it does not explore it; it repeats it. Tilted 56 times. July 43 times in a week. Firestone 24 times in a day. One Christine song out of nineteen; one Killers song out of five, 43 times. This is not a taste. This is a loop.
We will show the covers. Three La Javanaises, no Gainsbourg. Twelve Skinny Loves by Birdy, none by Bon Iver. A jazz Creep, a dance Creep, no Radiohead Creep. The defendant has built a music collection out of tribute acts.
And we will show the gaps. No Madonna. No Beatles to speak of. No Björk, no Nina Simone, no Carole King, no Jobim, no Satie on a piano. The defendant lives in a house with a conservatory and has never opened the door to the garden.
The defence
Counsel for the defence: My learned friend describes a radio. I will describe a person.
Exhibit A: the piano. Chilly Gonzales, 155 plays across eleven years, almost all at weekends, including one whole album in 2017. Nils Frahm, Max Richter, Ólafur Arnalds, Yann Tiersen, Philip Glass, Bach. This is not a radio's taste. Radios do not play the Goldberg Variations.
Exhibit B: the languages. French, Japanese, Portuguese via French, Lithuanian via Eurovision. The defendant has 100 to 150 French-language plays in five separate years. Madame Monsieur's album, whole. Chaleur Humaine, whole. Brûler le feu, whole. The prosecution calls the covers tribute acts; I call them a person learning a language through its songs.
Exhibit C: the film scores. Fifty plays of The Grand Budapest Hotel in a month. The Fellowship of the Ring, in full, twice, eight years apart. Nobody plays three hours of Howard Shore by accident.
Exhibit D: the repetition. The prosecution says loop; I say devotion. The list of songs the defendant has never skipped includes The xx's Intro, Bach, Now We Are Free and a Lithuanian disco song. Repetition is how the defendant loves. It is not a flaw in the taste; it is the taste's signature.
Exhibit E: the sleep tones. The defendant sleeps. The frequencies are a habit, and habits are not on trial.
Exhibit F: the gaps. Every gap the prosecution names is one door away from something the defendant already loves. Jobim from Stacey Kent. Satie from Gonzales. Nina Simone from Norah Jones. Madonna from Kylie and Gaga. A taste with gaps this close to its centre is not narrow. It is unfinished, and unfinished is the best thing a taste can be.
The defence rests, and recommends that the jury listen to section 41 before deliberating.
The jury
Seven jurors, none of them real, all of them with a position. They were not asked to agree.
Verdict: guilty of tropical house, with mitigating circumstances
"Kygo, Lost Frequencies, saxophones. I was ready to leave. Then I saw TWO LANES, Ben Böhmer and Kiasmos-shaped gaps in summer 2026, and eleven plays of Avril 14th in 2014. There is a Berghain listener in there. She just needs to stop going to the beach."
Verdict: not guilty, and rather moved
"She plays Madame Monsieur's Mercy in both versions. She knows Salvador and Keren Ann's Jardin d'hiver. She played Chaleur Humaine whole. My only charge is Barbara: three plays, and none of them L'aigle noir. Sentence: one evening with Barbara, supervised."
Verdict: guilty of abandonment
"319 plays of 2CELLOS, then nothing since February 2023. No Yo-Yo Ma, ever. Eight plays of the Bach prelude, which is a start. I recommend community service in the form of the complete cello suites, and I will be checking."
Verdict: not guilty, and can we hire her
"Ed Sheeran, Coldplay, George Ezra, Jess Glynne, Clean Bandit, John Legend's All of Me 58 times. This is our audience. This is our playlist. The only thing missing is Dido, and that is our fault, not hers."
Verdict: guilty of loving the covers more than the composer
"466 Ghibli plays and the deepest single-day binge is a piano cover album. Hisaishi himself is there, 164 plays over nine years, which is beautiful. But Yumi Matsutoya, zero. Ichiko Aoba, zero. The forest has more trees than she has walked past."
Verdict: not guilty, sentence commuted to a party
"140 plays in 2019, 99 in 2021, THE ROOP 25 times. She played Salvador Sobral only twice, which is a crime in Portugal, but she has Loreen, Duncan and Conchita and I have decided to forgive her. Barbara Pravi is the missing entry."
Verdict: no opinion on the music, concern for the taxonomy
"Half of the data since 2024 is sleep audio. It is not taste and should not be judged as such. But 10,217 plays of one 432 Hz track is a routine, and routines can be improved. Max Richter wrote eight hours for this. I prescribe it."
The foreman's summary. Four not guilty, three guilty on minor counts. The jury agrees on exactly one thing: the missing link in section 41 should be played before sentencing.
Predicting your star ratings
Twenty-five recommendations sorted into the rating I think you will give them, with the reasoning. Then you rate them, and the page uses the difference between my guess and your score to pick a second round.
- Brightest Lights Lane 8 · It is Firestone with a decade of taste added. You played Movement and Erase on repeat in August 2026; this is their parent.
- On brûlera Pomme · Everything you play in the morning (Madame Monsieur, Cœur de Pirate, Hardy) in one song.
- Yasashisa ni Tsutsumaretanara Yumi Matsutoya · You already love it on piano. This is just the vocal.
- Hoppípolla Sigur Rós · Ólafur's crescendos plus a Howard Shore-sized ending. A near certainty.
- From The Start Laufey · Norah Jones's chords, Stacey Kent's bossa, a chorus. Three of your worlds agree.
- 1901 Phoenix · Joyful French guitar pop. Loses a star only because it is louder than your usual.
- White Winter Hymnal Fleet Foxes · Harmony folk. Iron & Wine and José González fans rate it, and you are both.
- Lone Digger Caravan Palace · Swing Republic with a bigger engine. The video is a lot; the song is a party.
- Eden Hania Rani · You have already played Glass five times, so this is a safe four with a chance of five.
- Voilà Barbara Pravi · Eurovision drama in French. Docked a star for arriving outside May.
- Apocalypse Cigarettes After Sex · Right mood for after midnight, but it never lifts, and you like a lift.
- South of the River Tom Misch · Warm and clever; possibly too laid-back for a person who skips Green Day.
- Aruarian Dance Nujabes · A beautiful loop. Whether it registers as music or as background depends on the hour.
- Dancing On My Own Robyn · You might prefer the Calum Scott cover you know. Three, rising to five if the synths win.
- Looped Kiasmos · Ólafur on a beat. Could be exactly your 2026 or slightly too cold.
- Maria También Khruangbin · No vocal, no piano, a surf guitar. Outside every cluster you have, which is why it is here.
- Hyperballad Björk · You will admire it. Admiring is two stars.
- Chicago Sufjan Stevens · Trumpets and a choir on a folk song. Might be too much; might be Illinois for a decade.
- Space Song Beach House · Hazy dream pop. Your history has almost no reverb-heavy guitar music.
- Swallow Monolink · Melodic techno with a singer. The right sound, possibly the wrong tempo.
- Journey in Satchidananda Alice Coltrane · A harp and a drone for six minutes. I love it. You will look at the clock.
- The Wild Rover Lankum · Ten minutes of Dublin drone-folk. A masterpiece and a two-star at best, and I am rounding down.
- Espresso Macchiato Tommy Cash · Estonia's Eurovision 2025 entry, deliberately ridiculous. You will either give it one star or play it 30 times.
- Roygbiv Boards of Canada · Wobbly, sun-damaged synths. Your ambient taste is smoother than this.
- Alison Slowdive · Shoegaze. Loud, blurred guitars. The furthest thing from a felt piano on this page.
Musical Twenty Questions
One question at a time, and the page narrows down to a single artist you have never heard. Twenty-three possible answers, none of them in your history. It rarely needs more than five questions.
The ten-round recommendation game
Ten rounds, three songs each. Pick your favourite. Your picks steer the later rounds, and at the end you get a profile and a ten-track playlist made from what you chose.
Five deliberately risky picks
Each of these makes no sense until you read why. Then it makes a surprising amount of sense.
Journey in Satchidananda Alice Coltrane · never played
On paper: spiritual jazz, harp, a bass line that never changes, 1971. In practice: you have spent 453 hours of the last two years listening to a drone in the dark. This is the drone played by people, with a harp instead of a sine wave, and Pharoah Sanders on saxophone. The risk is that you fall asleep to it. The reward is that you wake up having heard something.
Green Hiroshi Yoshimura · never played
Japanese environmental music, 1986, written for a Tokyo housing showroom. It is the record the whole sleep-tone industry is a photocopy of, made by a man who thought about Ghibli-era Tokyo the way Hisaishi did. Your 10,217 Miracle Tones plays and your 466 Ghibli plays are both pointing at this one album.
The Wild Rover Lankum · never played
The pub song everyone in Britain knows, played at a quarter speed with uilleann pipes and a harmonium until it becomes something closer to Górecki. The path: your Kate Rusby week in June 2024 proved you like a folk voice; your Howard Shore afternoons proved you like a slow build. This is both, in Dublin, for ten minutes.
Espresso Macchiato Tommy Cash · never played
Estonia's Eurovision 2025 entry: an Estonian rapper in a moustache singing about coffee in an Italian accent, and it finished third. You played THE ROOP's Discoteque 25 times, a Lithuanian disco song with a hand dance. You are the audience for this and you know it.
Malamente Rosalía · never played
Flamenco hand-claps, a trap beat, Catalan pop stardom. The path is Christine and the Queens: you played Tilted 86 times for its choreography and theatre, and Rosalía is the only other pop artist of the decade whose songs are staged rather than sung. Also, your 2022 contains a Spanish-language week (Ramón Ayala, Grupo Cimarron) that nobody has explained.
Your missing link: Antônio Carlos Jobim
One artist you have never played, who connects more of your favourites than anyone else. You have been listening to his songs for twelve years in French, in English, in Swedish and on jazz piano, without once pressing play on him.
The connections, spelled out
- Stacey Kent (55 plays): Les eaux de mars (13) is Jobim's Águas de Março in French; Samba saravah (11) is a Baden Powell tune from the same Rio circle.
- Pauline Croze (28): La fille d'Ipanema, A Felicidade and Les eaux de Mars are all Jobim songs.
- Stan Getz (3): the Getz/Gilberto album, with Jobim at the piano, is where bossa nova met the world.
- Frank Sinatra (29): he made a whole album with Jobim in 1967; The Girl from Ipanema is on it.
- Coralie Clement (23): Samba de mon cœur qui bat is a French bossa written in Jobim's shadow by her brother Benjamin Biolay.
- Henri Salvador (25): João Gilberto cited Salvador's 1957 Dans mon île as an early bossa nova influence. Your favourite French crooner is part of the origin story.
- Pierre Barouh (2): Samba saravah, the song Stacey Kent sings, is his French lyric to Baden Powell and Vinícius de Moraes's Samba da Bênção.
- Márcio Faraco (6), Nouvelle Vague (3), Cafe Music BGM channel (115) and Lisa Ekdahl (5): four more acts in your history whose whole idea is bossa nova applied to something else.
Where to start
- Águas de Março His own 1973 recording, then the duet with Elis Regina on Elis & Tom, which is the greatest Brazilian record ever made.
- Wave Instrumental, 1967. The bossa nova Chilly Gonzales plays when nobody is listening.
- Corcovado Quiet nights of quiet stars. Norah Jones's whole first album is trying to be this song.
- Chega de Saudade The first bossa nova, 1958.
- Desafinado Slightly out of tune, on purpose, and the most elegant melody in the catalogue.
Ten artists in your history, 285 plays between them, all orbiting a man with zero. Play Elis & Tom once and every French jazz record you own will sound like it has found its parents.
How this was built
The source is your complete Spotify extended streaming history, May 2013 to 31 August 2026: 42,193 plays with an artist name, 5,731 artists, 12,931 tracks. A first pass separated sleep and ambient audio (Miracle Tones and its relatives, about half of everything since 2024) from music, then grouped the music into the clusters used above and computed the behavioural facts: skips, repeats, time of day, weekday versus weekend, whole-album listens and per-artist track counts. Every artist described here as "never listened" was checked, case-insensitively and with accents normalised, against the full list of every artist you have played at least twice; every artist described as briefly encountered is in that list with the play count shown. Song, album and artist links are Spotify search deep links (open.spotify.com/search/...), which open directly in the app or web player, so no track IDs were guessed. The three interactive sections run entirely in this page and store your scores only in your own browser.
A closing note
Thirteen years of data say something simple: when you love a song you play it until it becomes part of the furniture, and when you love an artist you keep them for a decade. That is a rare way to listen, and it means the recommendations that matter are not the thirty-song playlists but the two or three names that will still be here in 2039. My money is on Jobim, Yumi Matsutoya and Lane 8. Play Águas de Março first. Then, at the weekend, Solo Piano II. Then sleep, properly, to Max Richter, and let the sine waves rest.